The 9098 uses parallel nose-to-tail caps, so polarity is actually both ways.
I have built the 9098 about 18 months ago, but couldn't get it to sound right. (I regularly service four 9098i consoles, a total of 256 mic pres, and 576 inputs!!! :grin: )
Eventually it got back-burnered, because despite giving it a really good effort, it just didn't sound right. Check the lengthy thread that covered what was done, I don't really want to re-type it all right now. :wink:
Anyhow, I visited the Amek factory back in 2002 and spoke at length to Andy Price, who did the 9098i layouts. He said it was tough work. I've also met with and chatted to Rupert Neve about the same stuff... Also, a good number of people also seem to feel that much of the 9098i rack units don't even sound quite right either.
Good luck with it, but after comparing it to the original, I couldn't offer it as a product; it just didn't work. now, the S*S*L 9k is a different beast. After working on that for a short while, that one worked beautifully! I made that one available to all the DIY-ers because it sounds like the real thing and works beautifully well. I think that a good number of people have built them and as far as I know, all seem to be delighted with the result.
My guess is that you're probably bumping into similar 9098i issues to those which I experienced... and I have the benefit of several spare 9098i console modules on my bench to play with and compare things to.
The large caps are crucial, and display nonlinearities at low levels. Too low a value causes LF rolloff at higher gain settings: measure the frequency response at maximum gain and you can see what I mean...
It's a tough nut to crack. It's on my to-do list before I die, but not that high a priority now that I know it's not going to be as inexpensive a product as it appears to be from first glance at the list of components.
Keith