Sorry I didn't want to start a qualitative comparison of the brand. Professional has a specific meaning, but has been widely co-opted by marketing to up-sell products.moamps said:I didn't said that Tascams 42, 44, 48 and Revox PR99 are professional machines. Although, Studer said here http://wegavision.pytalhost.com/Revox/PR99IIp/revox03.jpg that PR99 is intended for professional use. I just did comparison according my experience of using and servicing between the models what can be seen on web very often (Tascam/Teac vs. Studer/Revox).
When I say that Tascam is PRO, I have in my mind machines as ATR60, CD601, CD701, DA60, DA88 we used here in professional (OB) recording and broadcasting. Of course, YMMV.
@ ECS787s
You can replace C006, 007, 031, 032, 050 & 051 with higher values and higher max. voltage (25V instead of 16V). If new opamps will draw more current, consider lowering the values of resistors R205, 206, 124,125, 83, 84.
Also replacing bipolar capacitors placed between stages is a good idea.
P.S.
There is a nice low noise discrete opamp (fet input) used as tape head preamp.
The TASCAM small format machines were widely used and good for what they were. It is difficult (impossible) for one brand to be both entry level and high end, while it looks like TASCAM tried.
========
None of this has much to do with the OPs pursuit, so back on topic. If replacing 5mA op amps with 50mA op amps, the important question is how many? You might get away with one or two op amps, but not 10 or 20... That would require beefing up the PS.
There may be better choices for op amps that are better than stock, but not crazy current consumption. Good look in a large design like this there are multiple factors to consider.
JR