Hi,
I would like to add that the ACES console(s) I have had the misfortune to use have been the WORST ever in every single possible respect. They had no redeeming features whatsoever. The mic amps were so microphonic you didnt need a microphone if you were singing in the control room, you just had to sing near the top of the channelstrip on EVERY channel. The sound was . . . well , , , awful. It was essential to leave the eq out of circuit at all times, There are a few classic eqs that seem to improve anything you put through them, even when set flat. There are no other that i have come across that RUIN the sound even when flat. ANd they reversed phase when switched in . . . They broke often. And iirc, if you measured the voltage rails at channel 32, there was a healthy plus and minus 17V, but at channel 1, this had dropped to plus and minus NINE volts, due to the hopeless ribbon cable used. Now what did we normally have up channel 1 . . . . the Kick drum, just exactly where you dont want substantially reduced headroom. easily fixed with some spare wire, but wtf . . . .
I never tried the ACES tape machine - Heaven Forfend . . .
Did use a Trident tape machine though, and that was bad enough . . . . no azimuth adjustment, so utterly useless with tape coming from any other studio . . . aagh . . .
ANdyP
ps thanks for rekindling old memories(ie nightmares . . . . )