skal1
Well-known member
Hi Guy,
what is the going price of this unit , is £ 900 over the top?
skal
what is the going price of this unit , is £ 900 over the top?
skal
skal1 said:Hey ,
cheers guy's just wanted to say i had owed 1 ,thanks for the heads up ruairioflaherty ,got the Fab pro L2 but have not looked into the ozone stuff yet ..
cheers
skal
skal1 said:Hey ,
cheers guy's just wanted to say i had owed 1 ,thanks for the heads up ruairioflaherty ,got the Fab pro L2 but have not looked into the ozone stuff yet ..
ruairioflaherty said:and Fab Pro L2 on transparent was the winner.
ruairioflaherty said:The de-esser is ok but I never use it and actually use Pro-MB for that task, and mostly only that task. I've never tried the compressor.
scott2000 said:So are you using De-essers a lot in mastering? I know I have an old 70's limiter that has some fixed frequency de-esser and it always sounds better when I leave it on. I know I have read here and other places that these are used in mastering and was wondering if it's a pretty standard tool. I'm not an ME but I find that a lot of work practices and some tools help when constructing and/or mixing and playing with sounds...
Mbira said:I love that Pro-L. Combined with Izotope Insight and I recently just got Ian Shepperds Dynameter...I'm in master bus heaven.
shot said:It turned to be an interesting discussion on plugin limiters here! Nice to check what others are using. Keep it coming!
But since Skal1 asked about Waves hardware L2, I'll follow with a question on that unit.
For a while I was considering getting one to prevent clipping my converters and do the conversion when I'm tracking, but as it usually happens I found other toys to spend my money on. I don't use compressors when I record so it seemed cool to have it in case some signal (usually uncontrolled vocalist) overloads the AD.
Has anyone used it? What's the conversion like on it?
Luka
ruairioflaherty said:If you are clipping your converters in record you'll just clip the input of the L2 instead! Why are coming anywhere near to 0dBFS, you shouldn't be seeing peaks above -10dBFS in a typical track situation.
shot said:It's with vocalists usually. Some can't control their dynamics and you end up with an artistically good take that is technically bad. And I never push level from preamp output to go more than -5dbfs on the input of the converter. But artists can be unpredictable!
john12ax7 said:Just get a compressor and track vocals with it, helps with overs and gives you a more finished sound on the way in. Plenty of good projects on here
ruairioflaherty said:You are tracking too close to 0dBFS if a singer can clip on occasion. You should take 10dB off of your pre-amp gains on everything you track, there is zero advantage to tracking that hot,
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