pucho812 said:
paint by numbers kits, pretty straight forward, nothing to hard. Shouldn't be any real issue.
As always I recommend starting with cables to get your soldering feet went.
Next move into building passive circuits like a passive DI. this will help in trouble shooting and more soldering skills.
Then move into doing basic repairs.
last move into building gear.
Thanks for the tips! Yeah I should probably improve my soldering a bit before doing something "for real". I've wired a guitar from the ground up which turned out ok, but that's about all I've done solder-wise. I was thinking of doing the DIYRE SB2 passive summing mixer, so maybe I'll start with that!
ruffrecords said:
Probably the safest option is to build a mic pre with input and output transformers. That way there is little or no chance of unexpected dc voltages exiting the output or input and damaging other gear.
Cheers
Ian
Ah thank you, that's good to know! The kits I've been looking at include transformers on both input and output, so maybe I can feel a bit more calm. I should probably read up on how transformers work cause I really have no idea, except that they can sound great
Tubetec said:
I say get stuck in ,whats the worst your gonna do ? you can use a cheap dynamic to test things out in any case .
Practise soldering first on scrap boards ,desolder ,resolder ,do get high quality solder ,the proper leaded stuff don't mind the RoHs bulls**t . Solder sucker,wick and flux paste are also handy to have , temp controlled iron of the correct wattage as well.
Yeah I think I'll just do that and see how it goes! Luckily the kits aren't that expensive, so if I try it out with a cheap mic and an old interface, maybe worst case scenario is that I have a non-working preamp.
I'm gonna follow your advice and get some lead solder and a controlled iron. The iron I have now is fixed temp, really clunky and hard to use. I'm a little confused about what is regarded high quality solder though. There are so many choises... I found some on Amazon consisting of 2% copper, 60% tin, 38% lead and 2% flux. Does that sound okay?
squarewave said:
Not really. If the audio interface is vaguely new it should have proper input protection to handle spikes and probably 48V indefinitely but generally, it is considered a bad move to apply 48V to one of the audio interface ins/outs. But if you already knew that, then I think you'll be ok.
However, generally speaking, it is somewhat important to have an understanding of the relationship between voltage, current and power. For example, if you put 9V across an 8 ohm resistor, you will get 9V / 8 ohms = 1.125 amps current. Power is then 1.125 amps * 9V = 10.125 watts. One of those standard little resistors is usually rated for 0.25 watts. Power in this case is going to be dissipated entirely as heat. So that little resistor is going to get very hot. It might even smoke. Smoking electronics is bad.
But just to be sure, test everything with cheap gear.
It's a UAD Apollo 16 mk2 so it's pretty new. I guess it should have some kind of procetion then, which is reassuring. I'm aware it's a bad move to apply phantom power to the interface ins/outs, I was just worried that I would wire something wrong leading to phantom power there instead of to the mic and damage the interface. Maybe I'm over thinking the whole thing
I know rather little about voltage/current/power/impedance so I really appreciate that little lesson! I'll read up some more on the subject before getting my hands dirty for sure!
Again, thank you all so much for the great answers! Good to know there's a community with so many helpful people here. I have a feeling electronics and the DIY thing is gong to become a new addiction of mine.. Unless I screw up royally somewhere along the way :