Newmarket
Well-known member
ruffrecords said:I am surprised that these days all new guitars are not Bluetooth enabled.
Cheers
Ian
Yeah - but then there'll be vintage / relic'd Bluetooth Or 'Valve' Bluetooth... :
ruffrecords said:I am surprised that these days all new guitars are not Bluetooth enabled.
Cheers
Ian
cyrano said:The absolute minimum is 15 msec. Most stuff is around 35 msec.
cyrano said:I don't know about BT, but with Wifi, there's a lot going on because it's wireless. That brings encryption, channel hopping, changing of authentication, retransmits for robustness...
That's why low-latecy audio over wired ethernet is relatively simple. None of that stuff.
That's already the case with a basic analog loop, where the delay from mouth to mic is different than the delay from mouth to ear via internal conduction. We all know that the perceived sound changes when flipping polarity. So, what the talent hears is not the sound of a "gorgeous $15K condenser mike ", it's already "phasing". Only the guy in the control room hears it.Monte McGuire said:This makes using a gorgeous $15K condenser mike for vocals less of a fun experience for the talent, who gets to hear the sum of bleed from their mouth to their ears mixed with the delayed signal from the mike through a converter loop.
The additional delay from conversion becomes a nuisance when it impairs articulation; that seems to appear when the round-up delay exceeds 6-10ms. Different people have different threshods. Practiced studio performers are competent at anticipating delay, some are not. Many singers can't make the difference between a condenser and a dynamic when monitoring on headphones.Sure - the HF phasing is only in the monitors, but the talent is using that to perform, and not hearing what is actually going to "tape".
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