TubeMonkey
Well-known member
Hi Guys,
Starting this thread, as is long overdue, to document the rabbit hole I've been slowly been going down over the last year and a half. This is meant as archival documentation for myself, as well as a bit of show and tell while I get this thing back to 100%. I have been taking lots of pics but have been slow to put it up online....
I happened to into this frame about 2 years ago here in Nashville, it was sitting on the other side of the river in an old dilapidated movie theater converted into a warehouse/storage facility with a lot of audio junk including a Neve VR frame that had been in a fire. There were 3 EMT 140's over there but I'm not sure what happened to those... Anyway I think somewhere deep inside i knew how big of a project this would be but I couldn't let the opportunity pass and knew that I was capable of doing the work..... So I rented a Uhaul and went and picked it up with a couple of friends.
I'm trying to find out some of the history on the board, the broad scope of which is pretty straight forward. Leon Russell had commissioned and owned the board for most of it's life, until it was sold to another owner here in Nashville about 6 years ago when the decision was made to sell off the eq's and preamps.
The 3224 was an ambitious and short-lived design... true to "Automated Process" this was really the first attempt at an SSL-style fully recallable automated board. Most parts of the board had VCA automation integrated, including a VCA limiter on each preamp card, Group functionality, Gates, Echo sends, Quad buss sends, and an optional automated version of the 554 eq called the 954.... Incredible technology for the time, but the implementation hadn't quite caught up. I've heard a few people say the only time these things truly worked to full capacity was the day they left the factory.... I haven't met or talked to anyone who can tell me how all that automation sounded.
I don't have the original bill of sale... but I did a bit of talking with Terry Palmer, who used to work for Leon, and he mentioned that Leon had custom ordered it as a 40 frame (they only made a 32 frame at the time) and had the chassis made out of a magnesium alloy to cut down on weight as the original intension was for this desk to go on a recording truck (which it later did). With all the bell's and whistles and the custom specs the board came close to $400k...
Leon had recently purchased a mansion in Tulsa, and apparently had decided to build a studio in the basement and stick the console there for a few years. This was a private studio setting, in addition to the famous Church studios in Tulsa which had a red Helios.
I have very few pictures of the console from before it's sale from Leon, but i do have one from it's residence here... Anyone know who this engineer might be?
Anyway Leon had lots of house guests including Tom Petty, Paul and Linda McCartney, George Harrison, Ringo, Eric Clapton... that whole scene... So i've been trying to find the records that would have been done on this console. I have a running list that I will include in a follow up post.
After Leon sold the mansion it ended up on the Paradise Records mobile truck out in L.A.. I have almost no documentation on this era... I've heard that the truck was a mobile control room of sorts that would be backed into a bay at the studio and plugged in, and then unplugged and driven off to use remotely.
At some point Leon moved everything out here to Nashville (Hendersonville). I don't think the console was ever installed in his home studio there so I'm unsure if it just sat on the truck or was in storage somewhere.
I'll update with more info soon!
Let me know if you have any info!
EB
Starting this thread, as is long overdue, to document the rabbit hole I've been slowly been going down over the last year and a half. This is meant as archival documentation for myself, as well as a bit of show and tell while I get this thing back to 100%. I have been taking lots of pics but have been slow to put it up online....
I happened to into this frame about 2 years ago here in Nashville, it was sitting on the other side of the river in an old dilapidated movie theater converted into a warehouse/storage facility with a lot of audio junk including a Neve VR frame that had been in a fire. There were 3 EMT 140's over there but I'm not sure what happened to those... Anyway I think somewhere deep inside i knew how big of a project this would be but I couldn't let the opportunity pass and knew that I was capable of doing the work..... So I rented a Uhaul and went and picked it up with a couple of friends.
I'm trying to find out some of the history on the board, the broad scope of which is pretty straight forward. Leon Russell had commissioned and owned the board for most of it's life, until it was sold to another owner here in Nashville about 6 years ago when the decision was made to sell off the eq's and preamps.
The 3224 was an ambitious and short-lived design... true to "Automated Process" this was really the first attempt at an SSL-style fully recallable automated board. Most parts of the board had VCA automation integrated, including a VCA limiter on each preamp card, Group functionality, Gates, Echo sends, Quad buss sends, and an optional automated version of the 554 eq called the 954.... Incredible technology for the time, but the implementation hadn't quite caught up. I've heard a few people say the only time these things truly worked to full capacity was the day they left the factory.... I haven't met or talked to anyone who can tell me how all that automation sounded.
I don't have the original bill of sale... but I did a bit of talking with Terry Palmer, who used to work for Leon, and he mentioned that Leon had custom ordered it as a 40 frame (they only made a 32 frame at the time) and had the chassis made out of a magnesium alloy to cut down on weight as the original intension was for this desk to go on a recording truck (which it later did). With all the bell's and whistles and the custom specs the board came close to $400k...
Leon had recently purchased a mansion in Tulsa, and apparently had decided to build a studio in the basement and stick the console there for a few years. This was a private studio setting, in addition to the famous Church studios in Tulsa which had a red Helios.
I have very few pictures of the console from before it's sale from Leon, but i do have one from it's residence here... Anyone know who this engineer might be?
Anyway Leon had lots of house guests including Tom Petty, Paul and Linda McCartney, George Harrison, Ringo, Eric Clapton... that whole scene... So i've been trying to find the records that would have been done on this console. I have a running list that I will include in a follow up post.
After Leon sold the mansion it ended up on the Paradise Records mobile truck out in L.A.. I have almost no documentation on this era... I've heard that the truck was a mobile control room of sorts that would be backed into a bay at the studio and plugged in, and then unplugged and driven off to use remotely.
At some point Leon moved everything out here to Nashville (Hendersonville). I don't think the console was ever installed in his home studio there so I'm unsure if it just sat on the truck or was in storage somewhere.
I'll update with more info soon!
Let me know if you have any info!
EB