A very versatile input stage for SDC mics

[kingkorg]

Kingkorg's example from a plosive into an SDC produced over 22Vpp. I would think close miking a drum, trumpet, or vocal without a suitable screen would necessitate some means of limiting the signal or deal with a 30 to 140+ dBspl dynamic range.
In that scenario a step down conversion may be useful.
My schematic had two caps in series with the signal where only one is needed to avoid DC magnetization of the core.

There are some real benefits from very close miking sources like snare drums and combining takes with traditionally placed snare mics. People have mostly stayed away from this because of phase issues (which i never understood as you can phase align stuff in post) and because each and every condenser i tried craped out at this position (milimeters away from the head). Dynamics are too bulky, and don't have enough high end detail.

Combining these mics by mixing them at different levels, playing with ADSR, and placement you get a sort of snare design tool and can avoid bleed and control different aspects of the sound such as initial snap transient, ring, rim....

My latest project for a band i produced lead me to this approach as the drummer was a total wuss on the snare, and as usual every cymbal's worst nightmare. Needless to say, the absolute non-negotiable thing was NO SAMPLES!

Just when i thought i was covered with mics, this opened another can of worms.

 

[abbey road d enfer]

each and every condenser i tried craped out at this position (milimeters away from the head).

I use a dpa2011 and have no such issues.

I'm not sure I understand what you mean by "the drummer was a total wuss on the snare"...
Do you mean he didn't hit hard enough?
The customer says "no samples", which I accept (I'm not particularly a fan of drum replacement) and lets you with a bad drummer, it's a recipe for disaster.
No mic is capable of solving this.

 

[kingkorg]

I use a dpa2011 and have no such issues.

I'm not sure I understand what you mean by "the drummer was a total wuss on the snare"...
Do you mean he didn't hit hard enough?
The customer says "no samples", which I accept (I'm not particularly a fan of drum replacement) and lets you with a bad drummer, it's a recipe for disaster.
No mic is capable of solving this.

Exactly that. Extreme close miking saved the day. I used one close mic just for the attack + HF boost, another one for the decay, this one was close to the rim and had tons of ring. Kind of caveman's Transient Designer. Both had miniscule amount of hi hat bleed. Then I phase aligned these two to a traditionally placed sm57, and used them to enhance the snare sound without introducing additional bleed. It was a botch job, but gave excellent results.

Needless to say both of these close to the head mics sounded terribly on their own, but blended in with sm57 did wonders.

Couple of months ago I didn't have ideal mics for the job, and now i'm obsessing about making this a permanent setup.

 

[Cqwet Dbdfte]

Exactly that. Extreme close miking saved the day. I used one close mic just for the attack + HF boost, another one for the decay, this one was close to the rim and had tons of ring. Kind of caveman's Transient Designer. Both had miniscule amount of hi hat bleed. Then I phase aligned these two to a traditionally placed sm57, and used them to enhance the snare sound without introducing additional bleed. It was a botch job, but gave excellent results.

Needless to say both of these close to the head mics sounded terribly on their own, but blended in with sm57 did wonders.

Couple of months ago I didn't have ideal mics for the job, and now i'm obsessing about making this a permanent setup.

How did you get the 22Vpp into the mic pre?

 

[Khron]

Probably external mic psu and audio going into a (padded) line input?

 

[kingkorg]

How did you get the 22Vpp into the mic pre?

I didn't get most probably anywhere close to that, he was playing softly which was the issue to begin with. On the other hand, i have mic pres with pads so that is unlikely to be a problem. I just want to prepare myself for these kinds troubles in the future.

 

[abbey road d enfer]

I just want to prepare myself for these kinds troubles in the future.

IMO you should warn your customers GIGO. They shouldn't expect a good production from lousy musicians.
You may lose a few customers but keep your hair.