NewYorkDave
Well-known member
Well, the shielding is a problem that isn't easily ignored. You can put the transformer inside a can but a good mic transformer should also have an electrostatic shield between primary and secondary. And M6, while great for line level, is not suitable for low-level use unless you don't care about LF distortion.
Bill Whitlock gives a good explanation of the differences in construction (and the reasons for them) of high- and low-level transformers in the recent edition of The Handbook for Sound Engineers. The book is way too expensive, but it's worth seeking out at your local library or bookstore just to sit down and read the chapter on audio transformers. It's one of the most lucid explanations you're ever find.
If you wanted a mic transformer from Edcor, they could do it for you (with an electrostatic shield and nickel core) but you'd have to supply your own external shield(s). Even though it would cost more than, say, the WSM series, I'm sure it'd still be very competitive. Just be sure that your specs don't leave out any details.
Bill Whitlock gives a good explanation of the differences in construction (and the reasons for them) of high- and low-level transformers in the recent edition of The Handbook for Sound Engineers. The book is way too expensive, but it's worth seeking out at your local library or bookstore just to sit down and read the chapter on audio transformers. It's one of the most lucid explanations you're ever find.
If you wanted a mic transformer from Edcor, they could do it for you (with an electrostatic shield and nickel core) but you'd have to supply your own external shield(s). Even though it would cost more than, say, the WSM series, I'm sure it'd still be very competitive. Just be sure that your specs don't leave out any details.