I've been given the opportunity to test out the Lola pre-amp in my studio the last few weeks.
I've recorded guitars, vocals and keys through it on various projects I've been working on;
Here are some acoustic guitars (collings), double tracked, using a Neumann/Geffel UM-57 and the Lola into a Digi 192 at 44.1.
I added 2dB of 10K and a HPF at 80hz. The mic positioning is what a great Country/Bluegrass engineer in town taught me. Take the microphone point it right at the guitarist's nose, about 6 inches away, with the capsule pointed straight down towards the floor. I find I often get a smoother sound this way instead of pointing the mic straight at the 13th fret...etc...
The second clip is a Gibson 335, with a SM 57. The Lola is panned to the left side. Then it was double tracked with an Api 312 on the right side. I found the Lola side a little "hairy-ier" and slightly more bass. Pretty cool
I don't want to get too into verbose descriptions of audio characteristics, nor do I want to insincerely hype a particular product. But, I can honestly say, my client (a singer) and my regular session guitar player were really impressed with the sound, as was I. My engineer friend also says, "A good sound walks in with the talent when they enter the room", and I believe that's true. But, having the right tools for the job is also a big part of it.
This is definitely on my list of upcoming DIY projects for this year.
greg
the audio clips can be found here ----
http://www.mediafire.com/?ekiga48mb4etx