Greetings all. As my workflow isn’t completely constrained to the computer, I monitor my synths and drum machines through my mixer as I compose. Pro Tools playback goes through the mixer to so I hear everything already recorded. I’m about to make a move to the other coast and as I will be downsized for the time being I’ll be without my trusty PM-2000 console. Instead of the mixer I’ll be running all of these instruments into the mic preamps in my 500 rack. I’m devising a circuit that’ll take dsubs in from the mic preamp outputs. Those will be routed directly to a dsub output and into my converter for recording. But in between that I’ll be pulling a tap from each channel to a summing mixer.
From that tap here is the signal flow I have in mind:
1. Buffers (?)
2. Line Receiver (Differential In - Single Ended Out)
3. Fader
4. Post fade amplifier
5. Pan pot
6. Summing
7. a) Monitor Out
b) 2-Track Out
The question I have here is do I need to buffer these differential signals before entering the line receiver so as to not muck up the direct signals going to the recorder? I would probably use a dual IC, one amp for each + and - in unity gain mode then out to the line receiver. I’d be stoked if I could get away with not needing to buffer but I’d love to hear some thoughts.
From that tap here is the signal flow I have in mind:
1. Buffers (?)
2. Line Receiver (Differential In - Single Ended Out)
3. Fader
4. Post fade amplifier
5. Pan pot
6. Summing
7. a) Monitor Out
b) 2-Track Out
The question I have here is do I need to buffer these differential signals before entering the line receiver so as to not muck up the direct signals going to the recorder? I would probably use a dual IC, one amp for each + and - in unity gain mode then out to the line receiver. I’d be stoked if I could get away with not needing to buffer but I’d love to hear some thoughts.