M
mattiasNYC
Guest
Hi guys, my name's Mattias and I'm a newbie! (Feel like I'm at a meeting
I'd like to first thank all of you for all of your information. I've been trying to read as much as I can in general and it's really cool that so many generous people share their knowledge and experience. Not all forums are like this.
My first DIY was really basic; some canare cables with Neutric connectors. I needed some instrument and line level balanced cables of good quality so I searched this forum for info and they came out great - yellow (and red for my friend) with black connectors with gold plating (I know, a bit excessive maybe, but) hot diggity!
I've got some questions though and I hope you can bear with me and answer maybe a couple of them. I'll start out by telling you what I feel I need for my engineering / production work. (I currently do all essential work in a pro studio in Manhattan (full time) so my home studio is for MIDI and soft-synths primarily. As soon as I can get a live/work arrangement figured out I'll treat a room acoustically and expand to 5.1) And also, before I begin, I'd like to get very good quality out of this. Not obscene, but flawless and "pro in every sense of the word" quality:
-- A simple switcher / volume / headphone amp. Right now I have one stereo source - my DAW, and two destinations - speakers and headphones. I'd like a high quality switcher to switch between the destinations, as well as a high quality headphone amp. Obviously some kind of level control for both is needed. Stepped is fine, even preferred.
-- A great sounding DI / amp. Right now I get acceptable sound from the NI Guitar Rig DI, but we use Countryman, TubeTech, Evil Twin and Demeters at work so I know it could be better.
-- Bass Management for surround.
-- A more complex switcher pretty much exactly like the SPL SMC found here: http://www.spl-usa.com/smc/smc_E.html
-- Monitor Power Amp.
Now, I know this looks like a lot, which it is, but hence the following questions:
1. Is designing / building a surround monitor controller so time consuming, complicated and (relatively) expensive that I might as well just buy the SPL? I think it can be found for about $550.
2. If not, should I skip building the simpler switcher / headphone amp even though I might learn from it, and instead just go for the "big one" thereby saving time and money?
3. What is the cost of the cheaper amps people build for monitors, the Gainclones? I'm wondering if it makes sense to build five channels and then buy passives, or just buy either actives or buy amps. Although highly subjective, if you could point me in a direction by comparing home-cooked to bought amps as far as $/quality goes that would help. Pass labs? Hypex? Kits? Schematics? Class-D?
4. What headphone amp kit or schematic would you recommend?
5. Is it better to consider the second item, the DI/amp as two separate items? I guess I could build a simple transparent DI and then also a mic-pre. Or is it simpler to build a combined item? If I am to build a mic-pre I'd rather go for something more 'unique' and vintage....
6. Bass management. Same question as for the controller. Worth it or not? (The joy of DIY aside) It could be very basic - just bass management in / bypassed and maybe mutes if the controller doesn't have it.
If you made it all the way down here I thank you for your patience. Once again, forgive me for the lengthy post, but I'd rather include a bit more information than too little. If there are other places to research I will, on your recommendation. (btw, DiY-Audio, is that a bit too "audiophiley" - or is it "pro" ?)
Anyways,
thanks guys,
mattias
I'd like to first thank all of you for all of your information. I've been trying to read as much as I can in general and it's really cool that so many generous people share their knowledge and experience. Not all forums are like this.
My first DIY was really basic; some canare cables with Neutric connectors. I needed some instrument and line level balanced cables of good quality so I searched this forum for info and they came out great - yellow (and red for my friend) with black connectors with gold plating (I know, a bit excessive maybe, but) hot diggity!
I've got some questions though and I hope you can bear with me and answer maybe a couple of them. I'll start out by telling you what I feel I need for my engineering / production work. (I currently do all essential work in a pro studio in Manhattan (full time) so my home studio is for MIDI and soft-synths primarily. As soon as I can get a live/work arrangement figured out I'll treat a room acoustically and expand to 5.1) And also, before I begin, I'd like to get very good quality out of this. Not obscene, but flawless and "pro in every sense of the word" quality:
-- A simple switcher / volume / headphone amp. Right now I have one stereo source - my DAW, and two destinations - speakers and headphones. I'd like a high quality switcher to switch between the destinations, as well as a high quality headphone amp. Obviously some kind of level control for both is needed. Stepped is fine, even preferred.
-- A great sounding DI / amp. Right now I get acceptable sound from the NI Guitar Rig DI, but we use Countryman, TubeTech, Evil Twin and Demeters at work so I know it could be better.
-- Bass Management for surround.
-- A more complex switcher pretty much exactly like the SPL SMC found here: http://www.spl-usa.com/smc/smc_E.html
-- Monitor Power Amp.
Now, I know this looks like a lot, which it is, but hence the following questions:
1. Is designing / building a surround monitor controller so time consuming, complicated and (relatively) expensive that I might as well just buy the SPL? I think it can be found for about $550.
2. If not, should I skip building the simpler switcher / headphone amp even though I might learn from it, and instead just go for the "big one" thereby saving time and money?
3. What is the cost of the cheaper amps people build for monitors, the Gainclones? I'm wondering if it makes sense to build five channels and then buy passives, or just buy either actives or buy amps. Although highly subjective, if you could point me in a direction by comparing home-cooked to bought amps as far as $/quality goes that would help. Pass labs? Hypex? Kits? Schematics? Class-D?
4. What headphone amp kit or schematic would you recommend?
5. Is it better to consider the second item, the DI/amp as two separate items? I guess I could build a simple transparent DI and then also a mic-pre. Or is it simpler to build a combined item? If I am to build a mic-pre I'd rather go for something more 'unique' and vintage....
6. Bass management. Same question as for the controller. Worth it or not? (The joy of DIY aside) It could be very basic - just bass management in / bypassed and maybe mutes if the controller doesn't have it.
If you made it all the way down here I thank you for your patience. Once again, forgive me for the lengthy post, but I'd rather include a bit more information than too little. If there are other places to research I will, on your recommendation. (btw, DiY-Audio, is that a bit too "audiophiley" - or is it "pro" ?)
Anyways,
thanks guys,
mattias