AnalogPackrat
Well-known member
I have nice 1977 SF Vibro Champ which I am in the process of cleaning up and modifying (slightly). I've had it since about 1995--great little amp, especially through a full sized cab (something I just tried for the first time last week--holy cow!). Yeah, I know there are amp forae around, and I've read some stuff there, but the brains here seem to have a clearer grasp on technical reality and less mojo mythos.
Here's the Schematic
I've replaced all the cathode bypass electrolytics (all but one were original) with new ones. After doing some math and auditioning several possibilities, I've settled on a 1.5uF film cap on the first stage cathode instead of a much larger electrolytic. This rolls of the bass ever so slightly which sounds better to me--that wimpy little output transformer is probably screaming in agony anyway. I swapped the 0.047uF tone stack cap for 0.033uF and replaced the 250pF ceramic with a silver mica (sorry, Gus, it sounded better to me). Then I slowed the vibrato down by replacing the 0.01uF at the grid of the oscillator with 0.02uF. Finally I'm taking the feedback through a 4k7 directly to the cathode of the second triode. I played around with this a lot--from original to no feedback and all ranges in between. This sounded best to me.
Another mod I found mentioned in several places is to increase the cathode resistor on the 6V6. If you look at it, Fender is really abusing that tube, and not just with raw plate voltage, either. Look at the schematic--nominal cathode voltage is 21V with 470R gives 44mA (minus a couple for screen) which is about 14W of plate dissipation (max spec). But in reality (today), you'll see well over 400V on the plate due to a transformer "upgrade" they did on the 70's as well as 10% higher mains voltage in the US. That results in over 50mA of idle current and 18-20W of plate dissipation :shock:
And that leads to my problem. The quick fix is to increase the cathode R to something more sane. I ended up with 860R (had some nice Beyschlag 910R 5% 2W in the stash) which brings me back down to around 14W again (37mA), but the reduced current draw means the B+ is hovering in the 438-440V range. I haven't replaced the filter cap can--it's the original Mallory 40-20-20 450V unit which seems to work fine and I really don't want it working so close to its rating after 30 years of service. Oh, and I'm running a 5V4 rectifier for slow turn on and higher forward drop already.
I'd like to drop B+ by 20-40V without A) screwing up the tone, 2) changing the PT, III) drilling any new holes. Would adding a 500R-1k 3W+ R before the first filter cap be a bad idea? What about adding a whole new C-R stage in front of the existing B+ filter? There's enough room inside to do this. Another friend suggested a choke, but there is no room to mount one--if you've seen these little chassis, you know what I mean. Is there anything I can do short of replacing the PT or upgrading the filter caps to 500V+ parts?
Thanks,
A P
p.s. I always was a B+ student :razz:
Here's the Schematic
I've replaced all the cathode bypass electrolytics (all but one were original) with new ones. After doing some math and auditioning several possibilities, I've settled on a 1.5uF film cap on the first stage cathode instead of a much larger electrolytic. This rolls of the bass ever so slightly which sounds better to me--that wimpy little output transformer is probably screaming in agony anyway. I swapped the 0.047uF tone stack cap for 0.033uF and replaced the 250pF ceramic with a silver mica (sorry, Gus, it sounded better to me). Then I slowed the vibrato down by replacing the 0.01uF at the grid of the oscillator with 0.02uF. Finally I'm taking the feedback through a 4k7 directly to the cathode of the second triode. I played around with this a lot--from original to no feedback and all ranges in between. This sounded best to me.
Another mod I found mentioned in several places is to increase the cathode resistor on the 6V6. If you look at it, Fender is really abusing that tube, and not just with raw plate voltage, either. Look at the schematic--nominal cathode voltage is 21V with 470R gives 44mA (minus a couple for screen) which is about 14W of plate dissipation (max spec). But in reality (today), you'll see well over 400V on the plate due to a transformer "upgrade" they did on the 70's as well as 10% higher mains voltage in the US. That results in over 50mA of idle current and 18-20W of plate dissipation :shock:
And that leads to my problem. The quick fix is to increase the cathode R to something more sane. I ended up with 860R (had some nice Beyschlag 910R 5% 2W in the stash) which brings me back down to around 14W again (37mA), but the reduced current draw means the B+ is hovering in the 438-440V range. I haven't replaced the filter cap can--it's the original Mallory 40-20-20 450V unit which seems to work fine and I really don't want it working so close to its rating after 30 years of service. Oh, and I'm running a 5V4 rectifier for slow turn on and higher forward drop already.
I'd like to drop B+ by 20-40V without A) screwing up the tone, 2) changing the PT, III) drilling any new holes. Would adding a 500R-1k 3W+ R before the first filter cap be a bad idea? What about adding a whole new C-R stage in front of the existing B+ filter? There's enough room inside to do this. Another friend suggested a choke, but there is no room to mount one--if you've seen these little chassis, you know what I mean. Is there anything I can do short of replacing the PT or upgrading the filter caps to 500V+ parts?
Thanks,
A P
p.s. I always was a B+ student :razz: