leigh
Well-known member
Ah, my misunderstanding. On pg 25 of the LME49710 datasheet they describe how they did the THD measurement on that, using a resistor to extend "the resolution of the distortion measurement equipment". I don't have any similar info on how the NE5534 THD measurements were done.JohnRoberts said:The schematic I was talking about is the schematic those distortion measurements were made with. An op amp will have X % THD operated open loop, and when you wrap NF around it that open loop distortion is reduced by the loop gain margin (ratio between open loop and closed gain.) I will ASSume the distortion numbers were made with comparable circuits.
OK, that was my guess, that running the first stage at a reduced gain (about -8dB if I'm doing the math right) gave the VE summing a little more breathing room. And then the second stage swaps those resistor values, and it's +8dB back up.JohnRoberts said:While I don't like to critique other console designs, I have a couple quick observations. The 12k input resistors and 4.7k feedback is reducing the worst case closed loop gain several dB which is "improving" the loop gain margin by those same several dB. So this helps reduce phase shift and distortion in the first stage if/when a lot of stems are assigned. The following stage with 4.7k input and 12k feedback restores the gain to nominal unity and is relatively easy lifting for a decent opamp. There is no free lunch so there is diminishing return from putting too much gain in the second stage, but for modest amounts this makes sense, especially for old school op amps. The phase shift and distortion added back from the second gain stage will be less than the amount of improvement from running the first stage with less gain. .
The original design was done with all TL071's. The 12k's aren't always assigned, although R141 provides the summing amp input at least a 20k path to ground.JohnRoberts said:This gain sharing or distribution could make a difference especially if the first stage op amp is marginal. Note: the 5534 is only stable down to a gain of 10 dB (3x) so if those 12k input resistors are not always assigned a 5534 could be unstable without the extra compensation cap. The 49710 is unity gain stable so that could be useful in that circuit configuration.
If dropping in a 5534, neither the -8dB nor the +8dB stages would be stable, then...? (Since both are below a gain of 10db). Those compensation caps are the stock values still, 100p for the 1st stage, 33p for the 2nd stage. Along with the respective feedback R values of 4k7 and 12k, that makes the bandwidth for those stages about 300K and 400K, yah? I'm still too much of a dummy to know if that would be sufficient to tame 5534 oscillations. I'd have to just try it and check it with a scope.