My favorite is solid bar for VU with floating dot for peak. The natural characteristics of peak always being higher than average (ASSuming similar release times) provides a nice gap between them to make reading independently easier. Different colored LEDs can suggest level making that easier to discern from quick scanning.
JR
Yes, I spent some time too trying to make the best of the limited front panel real estate, but it's all in the past for me.
IMO, VU's are not relevant anymore. All the audio equipment I use, whether live or in the studio, is peak. Even when I recorded on tape, I didn't like VU's. My first mixer, in '76, was equipped with LED peak-meters (primarily because it was much cheaper than the SIFAM meters).
I dare say that VU-meters are inadequate (except for calibration). I know there are people who swear by mechanical VU-meters for tape recording, based on the assumption that tape saturation behaves more or less like a VU-meter, but it just doesn't work for me. I won't start a debate...
Anyone who's recorded a set of claves knows what I mean. And I can't think of any application where a VU-meter would be more useful than a peak-meter.