V76 type of gain control is used for many tube diy projects and pro gear. Like Tele V76, Lorenz V241 nad revision here, Ian Bell's EZ preamps, etc.
Gain is often only partially variable NFB like in UA, EMI, Pultec, although their sound can change to better through small range...
http://www.wagner-microphones.com/images/v76.gif
To understand it better i took R55, 57, 58 and C12 on schematic of Tele V76. Are R57 and R58 biasing resistors and divider for R55, how is formed dominant pole? Looks like C12 closes NFB at DC.
V76's gain control changes closed loop gain and gain of tube. I find positions sound more even, with mods pad can still be used.
Ian's EZ manual shows another example on p.7, where it is very handy for ECC83's low distortion because output stays low. Many of us thought this tube isn't good enough for inputs, while at least his tests and implementation as here show it is.
https://drive.google.com/file/d/0B_n67A1hN3qtWlo2ZEpxWnAxQUE/view?usp=sharing
Gain is often only partially variable NFB like in UA, EMI, Pultec, although their sound can change to better through small range...
http://www.wagner-microphones.com/images/v76.gif
To understand it better i took R55, 57, 58 and C12 on schematic of Tele V76. Are R57 and R58 biasing resistors and divider for R55, how is formed dominant pole? Looks like C12 closes NFB at DC.
V76's gain control changes closed loop gain and gain of tube. I find positions sound more even, with mods pad can still be used.
Ian's EZ manual shows another example on p.7, where it is very handy for ECC83's low distortion because output stays low. Many of us thought this tube isn't good enough for inputs, while at least his tests and implementation as here show it is.
https://drive.google.com/file/d/0B_n67A1hN3qtWlo2ZEpxWnAxQUE/view?usp=sharing