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This is really interesting in a geeky sort of way though I haven't done the analogue stuff for 2.5 decades.Anyone have a list of Parametrics which are- Proportional Q- Constant Q- JR's asymmetrical boost/cut and yet another Q behavior with lowest noise gain to the dry path.And anyone have any preferences for these three? JR says he likes Proportional Q for the unwashed masses but the professionals (who be dem?) like Constant Q. In the end, we hope the numbers we put on our knobs will help the punter tweak his sound.Ma hed iz hurtin from pretenin' to unnerstan dis s business but surely G is boost/cut? ie the 2 knobs are Q (or BW) and Boost/CutI emerged from the bush in 2008 to give a paper on IIRs at AES San Francisco. Some people took a day to realise who I was including one or two who had been spreading vicious rumours that I'd been eaten by a crocodile ;D
This is really interesting in a geeky sort of way though I haven't done the analogue stuff for 2.5 decades.
Anyone have a list of Parametrics which are
- Proportional Q
- Constant Q
- JR's asymmetrical boost/cut and yet another Q behavior with lowest noise gain to the dry path.
And anyone have any preferences for these three? JR says he likes Proportional Q for the unwashed masses but the professionals (who be dem?) like Constant Q. In the end, we hope the numbers we put on our knobs will help the punter tweak his sound.
Ma hed iz hurtin from pretenin' to unnerstan dis s business but surely G is boost/cut? ie the 2 knobs are Q (or BW) and Boost/Cut
I emerged from the bush in 2008 to give a paper on IIRs at AES San Francisco. Some people took a day to realise who I was including one or two who had been spreading vicious rumours that I'd been eaten by a crocodile ;D