It is saturated but mine cleans up pretty good with my guitar volume. Or at least tucks into the mix with volume and picking attack changes.Tonebender II currently) for saturated stuff.
Last edited:
It is saturated but mine cleans up pretty good with my guitar volume. Or at least tucks into the mix with volume and picking attack changes.Tonebender II currently) for saturated stuff.
A live trace has other advantages. You can heat or cool the device and watch the trace change.
Most of the time! But some germanium semiconductors will sound noticeably different in a pedal at different temperatures.Being totally honest, I don't see any use for heating a diode or cooling to watch the trace change, it doesn't make any sense to me.
I want to measure the curve at room temperature and that's it. It will not heat or cool inside the pedal.
As soapfoot notes, changes in Ge transistors can be pretty substantial within normal playing situations. I see the difference when I measure transistors in the winter (room temp. about 65 degrees F) vs. summer (around 75-78 degrees F.) However, I was inspired by a comment from CJ to measure a diode at room temp vs. a diode heated between my fingers for a couple of minutes, and I saw minimal difference. Vf might move .02 volts, but not much more--and the curve graphed by the DCA75 looked identical, just slightly shifted. I didn't do any listening tests, but I doubt it would make a sizable difference.I don't see any use for heating a diode or cooling to watch the trace change,
Mine doesn't clean up without getting pretty thin. I don't remember all the details, but I think I used moderate hfe Si for Q1 and Q2 and Ge for Q3. I added a bias control that I think is on Q3. It really kills for thick, heavy doom down to moderately fuzzy. I've got build notes in a box somewhere.It is saturated but mine cleans up pretty good with my guitar volume. Or at least tucks into the mix with volume and picking attack changes.
Depends on the application. Same with frequency.Being totally honest, I don't see any use for heating a diode or cooling to watch the trace change, it doesn't make any sense to me.
I want to measure the curve at room temperature and that's it. It will not heat or cool inside the pedal.
Yeah, automation is great sometimes.I also want to be able to import the measurement values of the curve trace so I insert them in a spreadsheet and have a graph where I can compare all the different diodes and compare mine to the curve tracing of the diodes used in the original Klon (KTR in my graph).
Opinions differ, I guess. For distortion diodes your ears should be the final arbiter, not your eyes anyway.So a scope or live trace is not useful at all for comparison, you had to post 12 photos of a curve for each diode where isn't even easy to compare them, I posted 1 photo a graph plotting all the Diodes, CJ did by hand but it was also 1 photo with all of them, and that's it.
I remember when Peak first started making their testers. They are pretty cool. But I could get a 4 channel Rigol scope for ~2x the price and do a whole lot more if I needed data capture and automation. But for me "best" these days is usually what's on my bench when I want to do something.The Peak DCA75 is still the best device
That sounds pretty traditional with your volume all the way up into a variety of fuzz pedals.At the time I was trying to achieve this kind of tone:
When I would adjust the EQ on something like a TS I would have the person come to the house with the guitar(s) and amp(s) they used and have them play a stage level. I would then adjust the HPF, LPF and gain.I do notice that an effect will sound great when playing by yourself and then at band practice it disappears so you crank it and everybody complains as mentioned above, so the final test is to use it with the band. Yeah if you dime the gain on these clippers you get that harsh hi end fizz
The Cornish take on the Distortion + has a lot of character we will see how that sounds with the band.
Most of the time! But some germanium semiconductors will sound noticeably different in a pedal at different temperatures.
Take something like a Mk I Tone Bender to a hot outdoor festival gig under lights vs. climate-controlled studio, and the difference is often not subtle!
The topic is clipping diodes for distortion boxes. Curve tracing is one thing to look at, but the sound in an actual circuit is what matters.We all know that, but that's not what we were discussing here, we were curve tracing Diodes and compare the different traces between them.
This is exactly the scenario you can't control. Outdoors in the sun. Or in hot crowded room on a summer night.Outdoor gig during the afternoon in a very hot summer day, yes. But it's not something you can't control, Germanium transistors are that way, variations in temperature will change the sound of your fuzz box.
You can also curve trace transistor junctions and observe the same effects live as you vary the temp. It is educational to observe such phenomena. I recall a sophomore level lab where this was one of the experiments. It was used to illustrate some of the important device characteristic differences between Ge and Si devices.Anyway, whats been said is that a Live Trace on a scope had advantages over curve tracing for comparing didoes because you "could heat or cool the device and watch the trace change" and I don't think that's useful at all for the purpose here, where we were having fun comparing diodes.
Sure. Nothing using an oscilloscope has value.But I can totally see the usefulness of the hand drawn graph that CJ made and posted and also the graph I posted.
The topic is clipping diodes for distortion boxes. Curve tracing is one thing to look at, but the sound in an actual circuit is what matters.
Enter your email address to join: