Hi Paul, it will for sure depend on how close are the transformers to each other. How close are we talking about?
Are the transformers almost touching each other?
being it 1/4 inch close or being 1inch makes a big difference. The crosstalk at 1inch distance might be neglectable...
So maybe output transformers in API consoles and gear had enough distance from eachother to have a neglectable crosstalk figure,
the space inside and APi console is not comparable to a DIY project that you try to fit 8 output transformers inside a small rack case were space is limited.
That I'll disagree with you, I'm pretty sure the engineers at API cared when they designed the consoles, and I'm sure that the spacing between output transformers inside the consoles was decided with crosstalk in consideration.
I don't how close are they inside the consoles, if anyone has photos it would be great to see.
But what I'm sure is that for a DIY project fitting 8 output transformers inside a small case I would test the positioning for sure
Well, Owning API (a 27 year span) and employing Saul and both of us being "the engineers", I can assure you that it wasn't something we spent a lot of time on, if any. The smaller transformers in the modules had about .5" between them, the ACA cards were like Jeffs, but all in a line the same way, and the larger transformers were in a steel chassis. To get crosstalk, Saul told me once "If you put a tone in at level, you can measure it, but no one ever does that so we never worried about it" No one single engineer I knew (and still know) agonized about it, from 1976-today. Not one single question.
Crosstalk between one transformer, driven by a low-Z source and another with a low-Z source (Basically shorted to ground) could only crosstalk on a 1:1 ratio, attenuated by the source impedance.
I think you have to keep in mind that it may be measurable, but I doubt that any records wasn't released because someone said "Listen to the crosstalk between the snare and the HH". Tape had worse track bleed, records were worse than that, and AM/FM had their own issues, yet it's still some of the highest selling music even today.
Sure, when CDs came out, you could do a stereo bass, but who did?
So sometimes you can find problems that seem like problems, but you have to weight the fact that it may not effect the end result at all.
James Brown did one of his biggest hits with no mic on the piano because they were out of mic pres. They put it in the middle of the room and it bled into everything. For the solo, James said "I'll just move my mic over to it" and that was the record.
Don't over agonize.