JohnRoberts said:
Both are quasi-complementary NPN output stage so neither has a technology edge. Bob Carver eventually earned a decent rep for sound quality but the early Phase Linear were more known for cheap power that would fail if you looked at them cross-eyed.
Below clipping I expect both to sound similar while i never did a blind test between them. I looked at the PL schematic among others when designing my DIY amp in the early '70s and as I recall the PL VI protection circuits didn't protect squat, and the experience of most reflected that.
Amps like Crown and BGW were nominally more reliable for professional sound use. The PLs were loved in Hifi markets for their bang for the buck power.
I had a"Flame Linear" 400-II for many hears, put it through hell in PA use, never had a problem with it. Never even blew the rail fuses, the thing actually had fuses on the +/- PS rails. Maybe that was an answer to the lousy current limiting. Lent it to an EE friend trying to make a puppy dog sale, it came back with the bias set to "room heater" mode. Guess he was trying to clean up the crossover distortion. Rumor was, the PL-909 output transistors were meant for TV horizontal output use, but I dunno. Something absurd like 700V C-E rating.
Speaking of current limiting, this post is the first time I have seen the original 300 schem., never owned one. That's some wacky current-limiting, although I like they way they sum the emitter resistor voltages on the (+) side. What is that switch for? I heard rumors of them having a current-drive feature, maybe that is it? More study is needed.
Also had 8 DC-300a's at some point, not a one of them ever failed, either. But knowing their reputation, I made up twenty crowbars into the web of dual binding posts. Yes, JR, I stole the circuit from the CS-800, but I don't feel guilty, bought the triacs, SBS, and the NP caps from Peavey. And at li$t price, I feel they were adequately compensated.
Gene