damnyankee
Well-known member
ssltech from another forum recalled this about the dbx 202 vca (the later black can version also found in the 160/161 VU):
"dbx found that the transistors had to be closely matched, and also be extremely well-coupled thermally. Eventually it was decided that monolithic construction was the best way to achieve this... hence the 2151 package type.....there is a large white 'thingie' around some of the transistors. If I recall correctly, it's absolutely crucial to maintaining the stability of the distortion trim. Otherwise you'll find yourself with a unit that just sounds plain old bad [which may explain why the transistors are glued/potted in the "white thingie"].
-please, please please bear in mind that VCAs got a really really bad name because of the distortion artifacts in a time when pleasant tube distortion was a recent -and strong- memory. By all means try to build it, but I hope everyone knows that there are some pretty wierd, voodoo things going on around the blackmer cell, and many competitive "mee-too" VCA manufacturers set up at the same time foundered owing to not being able to make one without some near-catastrophic sonic charateristics...
Try trimming the distortion trim on any that you do build at different gain-settings, and then warm them up with a hair-dryer... then take a distortion reading... you might begin to understand how hard it is!!!"
We need to pay very close attention to this when we start building the 200 VCA...
"dbx found that the transistors had to be closely matched, and also be extremely well-coupled thermally. Eventually it was decided that monolithic construction was the best way to achieve this... hence the 2151 package type.....there is a large white 'thingie' around some of the transistors. If I recall correctly, it's absolutely crucial to maintaining the stability of the distortion trim. Otherwise you'll find yourself with a unit that just sounds plain old bad [which may explain why the transistors are glued/potted in the "white thingie"].
-please, please please bear in mind that VCAs got a really really bad name because of the distortion artifacts in a time when pleasant tube distortion was a recent -and strong- memory. By all means try to build it, but I hope everyone knows that there are some pretty wierd, voodoo things going on around the blackmer cell, and many competitive "mee-too" VCA manufacturers set up at the same time foundered owing to not being able to make one without some near-catastrophic sonic charateristics...
Try trimming the distortion trim on any that you do build at different gain-settings, and then warm them up with a hair-dryer... then take a distortion reading... you might begin to understand how hard it is!!!"
We need to pay very close attention to this when we start building the 200 VCA...