> I'm trying to adapt this to a +/- 18V power supply
Why?
You already have +48V handy, don't you?
This circuit "stacks" two stages, so it needs lots of supply voltage. As I recall, it was hard enough to get +18dBm with full 48V supply. 36V is 3/4 of 48V. The input stage eats about 15V. 36V-15V= 21V, say 4V losses, 21V-4V= 17V swing, 6V RMS output, +17.8dBm on paper. Might be much less due to ill-defined bias.
If you must run on lower voltage, the next step would be a turn-around, a current-mirror or a folded cascode. More complication. The ONLY good reason to live with +/- supplies is so the output "can" sit at zero volts for direct coupling; in thie case, the output DC level is poorly defined, will generally not be zero, and won't even be a consistent polarity (allowing electrolytic coupling) unless we severely offset it and reduce output swing.
Don't Waltz in the Modern Dance recital.
Why?
You already have +48V handy, don't you?
This circuit "stacks" two stages, so it needs lots of supply voltage. As I recall, it was hard enough to get +18dBm with full 48V supply. 36V is 3/4 of 48V. The input stage eats about 15V. 36V-15V= 21V, say 4V losses, 21V-4V= 17V swing, 6V RMS output, +17.8dBm on paper. Might be much less due to ill-defined bias.
If you must run on lower voltage, the next step would be a turn-around, a current-mirror or a folded cascode. More complication. The ONLY good reason to live with +/- supplies is so the output "can" sit at zero volts for direct coupling; in thie case, the output DC level is poorly defined, will generally not be zero, and won't even be a consistent polarity (allowing electrolytic coupling) unless we severely offset it and reduce output swing.
Don't Waltz in the Modern Dance recital.