soapfoot
Well-known member
I've used a Fender Pro Junior (with a better speaker) for many years, but got tired of reflowing solder joints on the PCB-mount tube sockets.
I decided to rebuild the amp using the Hoffman Amps turret board, but noticed in Hoffman's schematic that there are some parts deletions.
The most obvious is the Zobel network on the OT primary (R26 and C11).
The 47pF snubber cap (C10) also seems clear enough in function. Obviously if it was deleted there are unlikely to be stability issues, but maybe it's smoothing out top end a bit, too?
I also notice that the out-of-phase output of the LTP phase inverter has been switched to a more typical configuration (R17 and R18 have been replaced with a single 82k). I'd love to understand why the 9k1 and 91k in series were originally employed. Does this manage gain staging somehow, or does it perhaps mitigate the impact of the above-mentioned 47pF snubber?
If I like the sound of the amp as-is, should I err on the side of building the amp as originally designed, or would the deleted components be unlikely to make much difference?
One other thing--the output transformer was replaced with a larger Mercury Magnetics unit many years ago; I'm not sure how that changes the calculus re: the stock Zobel network across the primary.
Would greatly appreciate any input/insight!
PS: the bias supply has obviously also been reworked/improved to make it adjustable. That's clear to me, and I'll be going with the improved bias supply.
Original schematic (changes circled in red):
Revised schematic:
I decided to rebuild the amp using the Hoffman Amps turret board, but noticed in Hoffman's schematic that there are some parts deletions.
The most obvious is the Zobel network on the OT primary (R26 and C11).
The 47pF snubber cap (C10) also seems clear enough in function. Obviously if it was deleted there are unlikely to be stability issues, but maybe it's smoothing out top end a bit, too?
I also notice that the out-of-phase output of the LTP phase inverter has been switched to a more typical configuration (R17 and R18 have been replaced with a single 82k). I'd love to understand why the 9k1 and 91k in series were originally employed. Does this manage gain staging somehow, or does it perhaps mitigate the impact of the above-mentioned 47pF snubber?
If I like the sound of the amp as-is, should I err on the side of building the amp as originally designed, or would the deleted components be unlikely to make much difference?
One other thing--the output transformer was replaced with a larger Mercury Magnetics unit many years ago; I'm not sure how that changes the calculus re: the stock Zobel network across the primary.
Would greatly appreciate any input/insight!
PS: the bias supply has obviously also been reworked/improved to make it adjustable. That's clear to me, and I'll be going with the improved bias supply.
Original schematic (changes circled in red):
Revised schematic: