ComodoComplex
Well-known member
I've just finished building my first G7 mic, with loads of inspiration from Curt's radioworld article. Here's some pics! (I've got a peluso shock mount on the way, by the way)
The capsule is a RK-12 from microphone-parts and the tube is an electro-harmonix EF-86
My issue so far is that when using a Tascam MKIII 424 4-track recorder, I have to turn the gain all the way down, and even then my bass drum pushes the tape into saturation. In this scenario, it clips as a room mic and as an overhead, so it's not exactly close-miked.
I'm wondering if something is wrong with my build, or if this is just a naturally very hot mic with the LL1538. One obvious solution is to build a 20dB pad. Would the sonics suffer from the use of a 20dB pad inside the PSU? Has anyone attempted this yet?
Thanks for your opinions!
Edit: images were too large. To see the full album, go here: http://imgur.com/a/oJf7W
The capsule is a RK-12 from microphone-parts and the tube is an electro-harmonix EF-86
My issue so far is that when using a Tascam MKIII 424 4-track recorder, I have to turn the gain all the way down, and even then my bass drum pushes the tape into saturation. In this scenario, it clips as a room mic and as an overhead, so it's not exactly close-miked.
I'm wondering if something is wrong with my build, or if this is just a naturally very hot mic with the LL1538. One obvious solution is to build a 20dB pad. Would the sonics suffer from the use of a 20dB pad inside the PSU? Has anyone attempted this yet?
Thanks for your opinions!
Edit: images were too large. To see the full album, go here: http://imgur.com/a/oJf7W