axl said:
Yes I use tightly not twisted wires, you think there's a lot of difference to use a mic cable? it's only 5cm long.
probably not. Rotating the transformer for least radiating garbage would be my next step, not knowing your soldering station behaviour (mine would radiate more than your measurement) or the proximity of your -whatever it might be- lighting source above the open case lid, so the circuit is without shielding. Did you ever try to measure with case shut ?
Here the measurement you required feeding the inputs with 100hz from my audio card:
INPUT LEFT pin 2/3 - 3,410V (12.87 Dbu right?)
INPUT RIGHT pin 2/3 - 3,397V (12.84 Dbu right?)
dBu numbers are correct and for usual analog operation these levels will cause heavy compression.
I don't think to well understad you when you talk about gssl behaviour ....So it's normal to have dual mono out ????? if i put a drum loop for example i lost all the stereophony!!!!! can't work that way right????
The GSSL is a stereo compressor, so whatever L/R side has more sidechain level above threshold will cause gain reduction of the other side as well by the same generated control voltage. Differing from a SSL compressor that operates the sidechain level and rectification of L/R seperate before timing, the GSSL sums both L/R channels in front of the sidechain, so sidechain operation isn't stereo. If FI the left side sidechain amplitude would swing positive to a +1V peak value and the right side sidechain amplitude would swing to the negative side to a -1V peak value for the same snapshot moment, the summed L+R value of the sidechain would be zero volts, generating nada control voltage for gain reduction as both levels cancel out. Similar situation, but both sides peaking in the same direction will sum up to a doubled up 2V sidechain level, causing overcompression of common (for usual centered like FI bassdrum) program material. The Turbo circuit addon will keep both L/R seperate and only the higher of two rectified control voltages is timed and controls the amount of gain reduction above threshold for both audio sides. Depending on your audio program material, one might work better than the other. Some like it switchable between GSSL-mode/Oxford-mode for this reason. I wouldn't call your previously mentioned 100Hz/105Hz sine waves a usual audio program material, but YMMV.