PRR said:
> "Mouser" website ... talking about square inches and so...
Factory-made heatsinks will usually have a thermal resistance listed. (Maybe not on the little sinks, but you want something not-little.)
When reading the advertised resistance, remember that they pick the best number they can justify. Not only wide-open in the middle of the room, but often at VERY high temperature (where both convection and radiation pick up a bit).
+1 be conservative and there is nothing wrong with extra heat sink.
Also disregard forced-air ratings (unless you plan a fan and have a clue what the air speed will be).
One of my patents is related to forced air cooling in audio power amps, yes forced air is a different ball game and even a little moving air changes heat flow dramatically. Supporting some natural convection with strategically placed vents can be helpful. Radiation for cooling is generally insignificant at the temperatures we work at.
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> after a design is finished it gets awkward to add more
Yes. I did a class-A headphone amp. I thought a scrap of aluminum under the aluminum cover would do. It did, but it ran hot enough to burn a finger. As this would sit with me on live recordings, with careless fingers and stray scores, that did not seem wise. I ended up with external finned sink and doubled the overall size of the amp.
Ouch... there are safety agency regulations the limit the maximum temperature that any part of the product chassis that customers can get a finger on can be. I do not recall the exact temp but probably 100'F or less.
My next A-amp was much less A and heat issues more carefully figured.
Sometimes the best thing to do is to assume you will do it again. When Benz and Ford built their first motor-buggies, they probably didn't assume they were finished forever. We know Ford worked his way through the alphabet to "T" before he got a design worth keeping in production a while.
For DIY projects, over design of things like heat sinks might save you from that extra cut.
JR