The Super Stereo compressor has been designed specifically for stereo mix applications. The sound of stereo buss compression is palpable in today?s music and has created a high demand for stereo buss compressors. Although the demand is high, the majority of models currently available are often unaffordable for today?s home and project studios. This need for quality equipment, coupled with the lack of available funds, has led to a growing ?Do It Yourself? (DIY) online community.
Justin Morse, the man behind Roll Music Systems, has always been a hands on studio owner and builder of equipment. ?The idea for the Super Stereo actually came from the original customer who commissioned the Folcrom. He asked me to build him an SSL clone from the plans on a DIY web forum,? notes Morse. Instead of creating yet another clone, Morse decided to design his own version of a stereo buss compressor.
The result is the ?Super Stereo? compressor. The unit will be 1RU high and have a single set of controls for true stereo application. It will feature a switchable hi-pass filter on the side chain along with attack and release controls, including an option to employ program dependent release.
"It has a short, clean signal path and the kind of smoothly aggressive response my customer was asking for to use on his stereo buss. It looks pretty bad ass, too," says Morse. The unit is currently being beta tested by a few locals, including engineer/producer Tom Garneau (Prince, Sting, George Clinton).
?The High Pass filter in the side chain is great on heavy-bottomed mixes, keeps the kick and bass from pulling down the track. It's got that smack for less (money). I've compared it to its more expensive counterparts and it ran neck and neck, sometimes surpassing.? notes Garneau.
Seems a little fishy to me