I’ve been bouncing between a couple of old RCA tube line amps for mix bus lately.
As you’d expect, putting a fully variable T attenuator on the output of one channel to trim gain is necessary for center balance, given the gain controls are 2dB/step. I’m using an unloaded decade attenuator after a loaded output stage which gives steps smaller than stated, 0.1dB on the label.
The later amps with 9 pin tubes and feedback loops requires frequent gain trim checks. Up or down a click or two on the T.
The earlier amps with 6 pin tubes (pre-octal) and no feedback have never needed readjustment, and are stable within minutes of turn on. I keep checking, and they are solid.
This is the opposite of what I’d expect. Total gain pretty similar.
I wonder if this is related to new manufacture versus very old NOS tube materials differences.
As you’d expect, putting a fully variable T attenuator on the output of one channel to trim gain is necessary for center balance, given the gain controls are 2dB/step. I’m using an unloaded decade attenuator after a loaded output stage which gives steps smaller than stated, 0.1dB on the label.
The later amps with 9 pin tubes and feedback loops requires frequent gain trim checks. Up or down a click or two on the T.
The earlier amps with 6 pin tubes (pre-octal) and no feedback have never needed readjustment, and are stable within minutes of turn on. I keep checking, and they are solid.
This is the opposite of what I’d expect. Total gain pretty similar.
I wonder if this is related to new manufacture versus very old NOS tube materials differences.