[quote author="soundguy"]no...
patch it in to a limiter on the out or build a variable pad for the input, which you are going to need anyway.
dave[/quote]
I patch my AM16s into a Distressor when recording electric guitar to knock down the AM16s +26db output to a level my converters can handle.
The AM16 strikes me as sounding pretty accurate, not very colored, but it yeilds nicer (smoother) sounding upper mids than what goes into it, which, I guess, is why they work so well for electric guitar.
As complicated as the design may be, the parts count is very low, about 10 transistors, I think there's only one capacitor and a few resistors. But that, in my opinion, would tend to back what others have said about the sound being in the iron in the case of the AM16.
patch it in to a limiter on the out or build a variable pad for the input, which you are going to need anyway.
dave[/quote]
I patch my AM16s into a Distressor when recording electric guitar to knock down the AM16s +26db output to a level my converters can handle.
The AM16 strikes me as sounding pretty accurate, not very colored, but it yeilds nicer (smoother) sounding upper mids than what goes into it, which, I guess, is why they work so well for electric guitar.
As complicated as the design may be, the parts count is very low, about 10 transistors, I think there's only one capacitor and a few resistors. But that, in my opinion, would tend to back what others have said about the sound being in the iron in the case of the AM16.