> the 3 circuits fig 9 a.b + c on page 440 can all deliver 2V r.m.s.
They can deliver more if you raise the supply voltage; he stopped at 2V because that's all you'd ever need in Hi-Fi.
> what level is this in dBu?
About +8dBu.
BUT if you are talking dBu, you probably mean +4 nominal and +18 to +24 on peaks. Meaning you need 6 to 12 volts RMS (17 to 34V peak-peak).
> rough idea whether this circuit can deliver into 600 ohms?
In 9a, we have a 680 ohm DC load with 4.5V-1.1V- 3.4V across it. Pretending that 600=680, we can expect half that voltage on negative peaks, or about 1.7V peak. Doing the full math, 1.1V RMS when the output transistor taps cut-off. Even with all the feedback, distortion will soar by 1V RMS.
Another way: the DC load has 3.4V across it. 3.4V/680Ω= 5mA. We know (or can figure) that "Pro" outputs will pump 16mA-20mA on peaks with 600 ohm load. So it seems (and is) lightweight for such outputs.
> Ideally, i would like to deliver a fairly hefty level into 150 ohms
These plans are scaled for Hi-Fi levels in 5K and higher loads.
> Perhaps a SN3055 or BD139/140 pair could beef it up?
You get into the general insanity that comes from trying to push "Pro" levels out of a single-ended resistance-coupled stage. One gross spec is that you will need over 30V total supply voltage, and at least 30mA idle current for 600Ω loading, and really more than that.
Then you also have to un-match the load from the gain-stage's collector. There are several "Liniacs" proposed, with gain-stage current from 0.010mA to 3mA. To simplify: gain-stage Hie will be from 3K to 10Ω depending on current, most of these biases can be trimmed to give a gain of over 2,000, so the gain-stage collector node impedance must be 6Meg to 20K depending on bias. Throwing a dart at the geometric average we get 300K. The output buffer must have a higher input impedance if it is not to load the gain-stage. So 600Ω load, input impedance higher than ~300K, say 1Meg, 1,000,000/600= 1,700 required current gain. 2N3055 won't get over 150. TIP120 can exceed 5,000 at high current but sags at low current (due to internal resistors). You could find or build a Darlington to do this, but if you now ask 150Ω loads you need 4 times the Hfe. Or you could fiddle the gain-stage current higher and lessen the current gain needed in the output; in fact for most "Pro" audio chores I think you should. But that depresses the input impedance (which you have not specified).
I think you should build it. I don't think it is any kind of amazing amp, or no more than the HampTone. It is a simple circuit, and any "magic" has to come from ample over-building (so it will never embarrass itself) and then careful attention to details.