soapfoot
Well-known member
IT's a really cool unit! Next time I'm on the same coast as mine I may have a go at recalibrating it, taking into account what you've worked out here
Can't thank you enough for writing this down!well I won’t lie, calibrating this thing is not easy and is a bit of trial an error.
I followed @richiyobs advice, as well as @soapfoot advice too. R27 is a 50k trim, and has a lot of effect on the comp.Tweak a symmetrical waveform with this. Much easier to do with a scope and square wave generator than a sine. Then, with the input/threshold knob at a fixed position, set the signal generator to get 0dB at input. Play with VR6 and VR5 to get symmetrical waveform and same level at input and output of the main board. We don’t care about the makeup amp during calibration. That’s it for the audio path / signal detection.
For the meter, it is much more mystical but I was able to get decent results by setting up VR1 and VR2 alternatively, going back and forth on one and then the other so that the meter rests at 0dB GR. channels must be unlinked and release set to slowest.
It helps to be able to (true)bypass the channel so the meters sits in an « idle » position and then compare this idle position with 0 GR.
VR1 was used to fine tune the position when everything is set up.
My meters are 1mA. They are not super accurate for low GR (strange ballistics) but they are spot on at -10 and -15 dB and that’s close enough for me.
I then realized the compression kicked in a little too early (too low thresh) and too hard for my taste so I relaxed VR5 a bit
Everything was done with a 600 ohm load at the output, first with a scope and then with Protools and some audio. Then readjusted and double checked with the scope again before closing up the rack enclosure. I am using 100k pots for the attack instead of 22k, so I’ll probably change that in the future.
Thanks a ton @soapfoot and @richiyobs , can’t wait to use it in a real context. Very happy with the sound.
How many volts have you got at detector out? Just at 470ohm resistor that sets the fastest Attack? It should be about 5 volts if i m not wrong.... Since i m using a different jfet i setted It about 4 volts... Or i get Extreme compression and so more headroom for Thr potwell I won’t lie, calibrating this thing is not easy and is a bit of trial an error.
I followed @richiyobs advice, as well as @soapfoot advice too. R27 is a 50k trim, and has a lot of effect on the comp.Tweak a symmetrical waveform with this. Much easier to do with a scope and square wave generator than a sine. Then, with the input/threshold knob at a fixed position, set the signal generator to get 0dB at input. Play with VR6 and VR5 to get symmetrical waveform and same level at input and output of the main board. We don’t care about the makeup amp during calibration. That’s it for the audio path / signal detection.
For the meter, it is much more mystical but I was able to get decent results by setting up VR1 and VR2 alternatively, going back and forth on one and then the other so that the meter rests at 0dB GR. channels must be unlinked and release set to slowest.
It helps to be able to (true)bypass the channel so the meters sits in an « idle » position and then compare this idle position with 0 GR.
VR1 was used to fine tune the position when everything is set up.
My meters are 1mA. They are not super accurate for low GR (strange ballistics) but they are spot on at -10 and -15 dB and that’s close enough for me.
I then realized the compression kicked in a little too early (too low thresh) and too hard for my taste so I relaxed VR5 a bit
Everything was done with a 600 ohm load at the output, first with a scope and then with Protools and some audio. Then readjusted and double checked with the scope again before closing up the rack enclosure. I am using 100k pots for the attack instead of 22k, so I’ll probably change that in the future.
Thanks a ton @soapfoot and @richiyobs , can’t wait to use it in a real context. Very happy with the sound.
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