radardoug
Well-known member
Why on earth would you use an old capacitor when these days you can get better caps? Would you fit your 2020 car with 1950 tyres?
Leo Fender was confounded as to why anyone would want to make a guitar amp distort on purpose. Musicians and design engineers just think differently from one another. For some musical objectives, “better” isn’t better.Why on earth would you use an old capacitor when these days you can get better caps? Would you fit your 2020 car with 1950 tyres?
That’s exactly it - my understanding, from reading the exhaustive ‘all things La2a‘ thread and others is that ‘the sound is primarily affected by: the transformers, 12ax7 in V1, 12bh7 in V2, and this Mallory / Sprague cap in C5. So I’m curious, does the mallory make any/much difference - but obviously wanted to check I wasn’t going to screw anything up because it’s an old electrolyticThat said, I don’t attribute much magic to this cap in this circuit. But I do think it’s sensible enough for someone to want to evaluate and learn what, if any, effect could result from using historical vs. modern components in a historic device.
A modern electrolytic cap should have less than about 100uA leakage. OTOH a film cap would probably have many times less.
He is such a little man. Check out the Randy Newman song about him.Why on earth would you use an old capacitor when these days you can get better caps? Would you fit your 2020 car with 1950 tyres?
Measuring +50% capacitance sounds questionable.
He is such a little man. Check out the Randy Newman song about him.
Agree-I am very suspicious of ancient capacitors measuring significantly higher than high range of tolerance (after ruling out component doesn't have +75/-10% tolerance). I have found ancient electrolytics in power supplies that obviously had a ripple problem, but measured much higher than marked. A 2nd capacitance 'meter' and a 3rd had drastically different measurements. One said it was shorted, but an ohmmeter didn't, the other read almost as high as the 1st.I am not a fan of using old electrolytic capacitors for all the obvious reasons.
If your bench testing confirms that it is useable have at it, the worst case is you have to replace it again.
Measuring +50% capacitance sounds questionable.
JR
Tiny SMD collateral damage (loss) by hot air removal of large target components... :O(. Somebody has to check because the rework folks often don't realize what else was or wasn't there.don't be suspicious, the caps i replace on Marantz receivers are always about 50% over their spec, most from around 1975. rarely have i found a bad lytic and i have a garbage can full of pulls. not a wastepaper basket, i mean a small garbage can. Thousands.
Elna is the best as far as beating spec, I even chop them in half with the dikes and there is always a ton of juice left. there is a lot of lytic paranoia out there. why? because everybody knows there is liquid inside, so everybody thinks that liquid surely must be dehydrated.
the few dried out caps that i have seen were always installed next to a power resistor or power transistor by some genius engineer.
the only thing worse than lytic paranoia is the "be sure to bypass every chip with a 0.1 cap on the supply rails" God only knows how much time and money this has cost the industry.
one of those "just in case" things for which i have yet to see a single case where that was necessary. add up those tants. billions and billions. and they all need thru holes or pads, and they all need a "pick and place" cycle of action. And, and don't forget the touch up or replacement of parts that floated out of the board during wave solder. rant off.
and be it advised that under the cardboard of the Mallory LA2a cap is a metal canister which probably contains the same amount of juice it started with.
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