polarity reversal instead of out of phase

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tony666

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How come this is so mixed up in the audio industry? I find it very confusing always reading about 180° phase shifts etc. when they actually mean polarity reversed?
 
I have heard several people sternly say, "It's a polarity switch, not a phase switch!" I guess because phase is more or less a delay issue, and polarity is a mechanical issue.
 
They're only the same for a repeating constant-amplitude waveform. For a complex non-repeating waveform, "180 degrees out of phase" doesn't even make sense.
 
They're only the same for a repeating constant-amplitude waveform. For a complex non-repeating waveform, "180 degrees out of phase" doesn't even make sense.

That makes sense. I guess. To use the term 180 degrees out of phase you'd have to be hearing nothing at all. But no one here said that.

The terminology we use isn't always used properly. Phase shift is one waveform's lead or lag time in relation to another. When we say 180 phase shift we are thinking the waveform's relation with itself. Not in relation to the other waveform.

I think a lot of it comes from our use of 180's in day-to-day conversation. "I was ready to take this little hussie home form the bar, and she pulled a complete 180 on me."

I think the key is the term inversion. Polarity and Phase. At that point the two are the same. Or are they?

Here:
http://www.atis.org/tg2k/_phase_difference.html
http://www.atis.org/tg2k/_phase_inversion.html
 
I found this useful for this topic, I like the train analogy at the end.

http://www.prosoundweb.com/studyhall/studyjump.php?pdf=polarity_and_phase


Brian
 
[quote author="MikoKensington"]I think the key is the term inversion. Polarity and Phase. At that point the two are the same. Or are they?[/quote]

No, not for our purposes.

For the strict mathematical analysis of infinite waveforms, phase inversion (as described on the link you posted, Miko - I've never seen the term used in any formal text before) and polarity inversion of a periodical symmetrical waveform will give the same result.

In audio, however, even periodic, symmetrical signals (sine waves, for example) are discrete in time, i.e., they have a beginning and an end; so if you phase shift an audio signal 180 degrees, it will be time delayed by 1/f seconds. Try to use it in a balanced system and the very first and the very last cycles will still come through loud and clear.

Also, remember that a phase shift of 180 degrees at one frequency, can be 3 degrees, or 3000 degrees at other frequencies. So the very concept of a 180 degree phase shift of a harmonically complex waveform doesn't make sense at all!
 
will be time delayed by 1/f seconds
Sorry for nitpicking, you mean 1/(2*f), right ?

It'd be nice if people were talking about polarity-switches, not phase-switches. I'd vote for 'polarity-inversion'.

But to people who just want to get the job done this will all be a lot of :shock: :roll: :?: :!: :sad: :shock: I'm afraid.
 
I think with the new "phase correction" tools that are starting to appear on the market (like the Little Labs "phase alignment" tool) and all this talk of adjusting phase by a few degrees here or there, it probably makes more sense for the regular old phase-reversal switch on a mic amp to be called "polarity". It's a matter of semantics, yes, but I think it lessens the likelihood of confusion.

[quote author="electronaut"]but I think it lessens the likelihood of confusion.[/quote]

On second thought... that's probably wishful thinking.
 
[quote author="clintrubber"]Sorry for nitpicking, you mean 1/(2*f), right ?[/quote]

Absolutely.

[quote author="electronaut"]It's a matter of semantics[/quote]

No, it's not. They are completely different things and we are right to bitch about it :evil:.
 

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