[SOLVED]Motor transistors keep dying on me

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Yep! In my "childhood" in this biz, I first recall seeing that design in the Ampex MM1100 multitracks. Earliest versions were (in)famous for blowing up the Delco branded power transistors. Big clue....power up the recorder with no tape loaded and one (or both?) of the reel motors would run full torque.

Bri
Hi Brian

That is right, the venerable Ampex MM1000 used a very similar motor drive configuration:

Mark
 

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The Otari would appear to use the same system for all three motors with servos running controlling the supply and capstan motors in play mode - although without the schematic for the capstan control motor it’s hard to say for sure, but servo control is shown for them in their schematic and in the alignment instructions the voltage for the supply motor is set to provide the correct tape tension based on speed of supply reel.
 
Once again it's only a B77/PR99 without tape tension electronic control built for consumer market. If you want to see how they (Studer) did full blown control of all motors to achieve constant tension and one hand edit, look at the A812/A820 schematics. Really not the same thing and cost but fascinating design.
 
Once again it's only a B77/PR99 without tape tension electronic control built for consumer market. If you want to see how they (Studer) did full blown control of all motors to achieve constant tension and one hand edit, look at the A812/A820 schematics. Really not the same thing and cost but fascinating design.
I had 2 A820’s synced up to run as one using a modified Tascam controller ES50/51 I hacked. I ran these machines for 7 years and did all the maintenance - mechanical and electronic - on them as well. Great machines. Stop to play-lock in less than 1/2 sec once I got the braking set up and programmed properly.
 
I think I can imagine that you know exactly what we're talking about ;-) As for the triacs on the B77, I think they simply replaced the relays on the A77 for cost savings and better integration.

@sahib, yes the design is complex. Some would say that it was over engineered. I love my A812 even if I sometimes miss the A812 A820 tape path.
 
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Studer was aimed at the professional recording studio marketplace and their Revox division was for high end consumer audio - however there was undoubtedly a place for the Revox machines in the smaller studio environment. We used to use a whole bunch of Revox 1/4” reel to reel machines for reel copying and also cassettes for radio station promos. I still have a B215 in full working order.
Also used to have a couple of Nakamichi decks - a 1000ZXL and a 600 which I gave to my brother.
 
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What was the final diagnosis on this , just the cap or where there other issues?

And way to hang in there!

You might want to put "solved" in the thread title so that the next victim will have it a little easier,
 
@CJ sorry for the late reply. The issue was run caps and bad diode (and in the process I wrongly wired the run cap)

I'll add that to the title. Also, have a look at this. I didn't like the mechanical counter so programmed a digital one, not so bad for a guy who's allergic to computers:
 

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@CJ sorry for the late reply. The issue was run caps and bad diode (and in the process I wrongly wired the run cap)

I'll add that to the title. Also, have a look at this. I didn't like the mechanical counter so programmed a digital one, not so bad for a guy who's allergic to computers:
That looks really great!
 

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