FPALB
Well-known member
Hello,
Ive never had this issue before, but its come up in a studio I've been working with.
They have a 100+ ft drop snake that is running into a patch bay and into rack mic pres (all expensive modern stuff).
When we run a SM58 through the snake, which is what I was using for testing, everything sounded great.
Now when we run assorted vintage dynamics (all using Din converter cables) through the snake, the microphones sound really thin. I bypassed the snake and ran the mics directly into the patch bay using an XLR to Balanced 1/4 adapter and the mics sounded much better. I assumed that it was possibly a low output issue so I put the mics through a cloud lifter and the signal did get louder, but the attenuation of the lower frequencies remained.
Any ideas here? Usually I don't consider the length to be an issue, but I don't have a huge amount of experience with vintage dynamics so I very well could be missing something.
thanks in advance - Jon
Ive never had this issue before, but its come up in a studio I've been working with.
They have a 100+ ft drop snake that is running into a patch bay and into rack mic pres (all expensive modern stuff).
When we run a SM58 through the snake, which is what I was using for testing, everything sounded great.
Now when we run assorted vintage dynamics (all using Din converter cables) through the snake, the microphones sound really thin. I bypassed the snake and ran the mics directly into the patch bay using an XLR to Balanced 1/4 adapter and the mics sounded much better. I assumed that it was possibly a low output issue so I put the mics through a cloud lifter and the signal did get louder, but the attenuation of the lower frequencies remained.
Any ideas here? Usually I don't consider the length to be an issue, but I don't have a huge amount of experience with vintage dynamics so I very well could be missing something.
thanks in advance - Jon