Here is your chance to get in on the ground floor and be an "influencer" as I consider modifying a vintage microphone:
I recently acquired a lovely vintage Vanco MD-353 dual impedance dynamic microphone with its original cable, specification sheet, purchase receipt dated December,1974, and box. It looks brand new with no blemishes or marks. A diminutive low impedance transformer is concealed behind the ON/OFF switch. It mounts on a standard 5/8"-27 thread microphone stand. Its hollow body has a 38mm diameter opening where the cartridge is mounted. The head basket-grill is 30 mm deep and has multiple 18 mm side vents. It was made in Japan, and is roughly patterned after the popular ElectroVoice Model 664.
While I believe it sounds as it should, it is not as clear or articulate as my loyal 1968 vintage SHURE PE-53 Sphere-O-Dyne high impedance dynamic microphone with a HOSA in-line impedance transformer. Consequently, I contemplate various modifications to improve it. I may use it with an amateur radio transceiver and/or with computer speech recognition applications, depending on how it turns out. I believe there is precedence for modding this type of microphone; for example, on their last tour, ZZ Top used multiple modified ElectroVoice 664 microphones retrofitted with RE510 capsules. I contemplate a much lower cost replacement, and have the following
Preliminary Inquiries:
1) Does it have sufficient grill side venting to accommodate a modern dynamic replacement cartridge? (I think it does.)
2) If yes, is it so, would it worthwhile replacing the cartridge? (I have replacement cartridges on hand, but do not want to waste time attempting to improve its sound, if there are reasons against it. I recently replaced the original cartridge in a Turner Model 253 communications microphone with rather disappointing results, so I am not keen on repeating that sort of experience. I think the original cartridge sounds thick and muddy with microphonics from the body ... what can I expect from a typical dynamic replacement cartridge?)
3) I plan to bypass the original transformer as replacement cartridges are typically between 300-600 ohms. Ahem ... Right?
4) Are there any special considerations on installing a balanced transmission line? I presume the following Pin assignments ... um ... I guess:
* Map original Pin 2 (cartridge + /signal) to XLR Pin 2 (Signal)
* Map original Pin 1 (cartridge - /return/shield) to XLR Pin 3 (Return)
* Map cable shield to mic body and XLR Pin 1 and connector shell
OR is there a better plan?
5) Are there any clever suggestions on how to mount a typical 28mm dia. replacement cartridge in a gaping 38mm diameter handle?
6) Should I line or fill the body with vibration damping material? (I think yes because it already sounds resonant and microphonic, but then it might not depending on how I mount the replacement cartridge... or ... um ... what?)
7) What am I missing? What have I failed to mention or consider, and should?
Any traction? Is this a worthwhile cause, or should I relegate it to visual trophy status and let it look good on a shelf with other historic models? I will consider all sorts of ideas and suggestions, so let me have it. I would like to get it right on the first go, if possible.
Thanks in advance. James






View attachment HD353 vs PE53 vs 3835 compared 1.mp3
I recently acquired a lovely vintage Vanco MD-353 dual impedance dynamic microphone with its original cable, specification sheet, purchase receipt dated December,1974, and box. It looks brand new with no blemishes or marks. A diminutive low impedance transformer is concealed behind the ON/OFF switch. It mounts on a standard 5/8"-27 thread microphone stand. Its hollow body has a 38mm diameter opening where the cartridge is mounted. The head basket-grill is 30 mm deep and has multiple 18 mm side vents. It was made in Japan, and is roughly patterned after the popular ElectroVoice Model 664.
While I believe it sounds as it should, it is not as clear or articulate as my loyal 1968 vintage SHURE PE-53 Sphere-O-Dyne high impedance dynamic microphone with a HOSA in-line impedance transformer. Consequently, I contemplate various modifications to improve it. I may use it with an amateur radio transceiver and/or with computer speech recognition applications, depending on how it turns out. I believe there is precedence for modding this type of microphone; for example, on their last tour, ZZ Top used multiple modified ElectroVoice 664 microphones retrofitted with RE510 capsules. I contemplate a much lower cost replacement, and have the following
Preliminary Inquiries:
1) Does it have sufficient grill side venting to accommodate a modern dynamic replacement cartridge? (I think it does.)
2) If yes, is it so, would it worthwhile replacing the cartridge? (I have replacement cartridges on hand, but do not want to waste time attempting to improve its sound, if there are reasons against it. I recently replaced the original cartridge in a Turner Model 253 communications microphone with rather disappointing results, so I am not keen on repeating that sort of experience. I think the original cartridge sounds thick and muddy with microphonics from the body ... what can I expect from a typical dynamic replacement cartridge?)
3) I plan to bypass the original transformer as replacement cartridges are typically between 300-600 ohms. Ahem ... Right?
4) Are there any special considerations on installing a balanced transmission line? I presume the following Pin assignments ... um ... I guess:
* Map original Pin 2 (cartridge + /signal) to XLR Pin 2 (Signal)
* Map original Pin 1 (cartridge - /return/shield) to XLR Pin 3 (Return)
* Map cable shield to mic body and XLR Pin 1 and connector shell
OR is there a better plan?
5) Are there any clever suggestions on how to mount a typical 28mm dia. replacement cartridge in a gaping 38mm diameter handle?
6) Should I line or fill the body with vibration damping material? (I think yes because it already sounds resonant and microphonic, but then it might not depending on how I mount the replacement cartridge... or ... um ... what?)
7) What am I missing? What have I failed to mention or consider, and should?
Any traction? Is this a worthwhile cause, or should I relegate it to visual trophy status and let it look good on a shelf with other historic models? I will consider all sorts of ideas and suggestions, so let me have it. I would like to get it right on the first go, if possible.
Thanks in advance. James






View attachment HD353 vs PE53 vs 3835 compared 1.mp3