strangeandbouncy
Well-known member
Hi Guys,
Can someone enlighten me? I have ascertained that a Fairchild has a gain of 16dB with no compression. I have read several times on this forum that we need to be able to pull -70vdc for the control voltage. This I can understand if there is far more gain on tap to make it up, but I am not sure that -70v is the necessary to achieve only 16dB of GR . . . Have I missed the point? is it the CAPABILITY of running to -70v that is required to achieve the speed required? is this not a function of the slew-rate/rise-time of the control amplifier(in conjunction with the impedance of the load being driven)? I frequently push compressors WAY past 20dB of GR, but it is fairly pointless with the Fairchild, unless you use another line amp afterwards. I always found that the 660's I regularly used huffed and puffed like crazy if you hit 'em too hard, unlike many other compressors I know. (They might not have been in the peek of performance, especially considering the standard of maintenance generally at that particular studio!)
I am not trying to be a smartarse, but I just don't get WHY we need such a powerful amp in the sidechain just to acheive a meagre 16dB of compression. Many times I have read that you need it, but I still don't get why!
KIndest regards,
ANdyP
Can someone enlighten me? I have ascertained that a Fairchild has a gain of 16dB with no compression. I have read several times on this forum that we need to be able to pull -70vdc for the control voltage. This I can understand if there is far more gain on tap to make it up, but I am not sure that -70v is the necessary to achieve only 16dB of GR . . . Have I missed the point? is it the CAPABILITY of running to -70v that is required to achieve the speed required? is this not a function of the slew-rate/rise-time of the control amplifier(in conjunction with the impedance of the load being driven)? I frequently push compressors WAY past 20dB of GR, but it is fairly pointless with the Fairchild, unless you use another line amp afterwards. I always found that the 660's I regularly used huffed and puffed like crazy if you hit 'em too hard, unlike many other compressors I know. (They might not have been in the peek of performance, especially considering the standard of maintenance generally at that particular studio!)
I am not trying to be a smartarse, but I just don't get WHY we need such a powerful amp in the sidechain just to acheive a meagre 16dB of compression. Many times I have read that you need it, but I still don't get why!
KIndest regards,
ANdyP