Measured VF14 characteristic

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micaddict said:
Drawbacks are doubling of interelectrode capacitances and increased input current noise.

Regarding the MK47 build, noise, as well as cracks and pops have been reported. But it doesn't have to be that way.
Here are four 6028s at work, at a not so close distance:

http://www.youtube.com/watch?v=xvKaHNFycj4
Besides the distance is not so close, I must notice that noise is really high. It doesnt sound to me as the ideal setup for pure sound recording. Is the noise generated by tubes or preamplifier? Or it's background noise?
 
Besides the distance is not so close, I must notice that noise is really high. It doesnt sound to me as the ideal setup for pure sound recording. Is the noise generated by tubes or preamplifier? Or it's background noise?

It's a registration of classical music plus it's a live performance. In pop music you would do close miking. For classical, often an A/B pair is used, at some distance (and in omni to boot). This means more gain on the preamp (raising of electrical and background noise) plus the wider view will pick up noises that are not coming from the guitar. Like the typical breathing noises of the player as well as noises from the room, or church isn this case.
This recording is certainly no exception, but the actual microphones don't hit me as being noisy.
 
Hi,

First off, thanks for the positive feedback everybody. I'm truly glad the effort is appreciated.

Melodeath00 said:
Milan, this is fantastic!! As you mention in the article, please do test the EF800 and EF802. I am incredibly curious how those stack up.

I'm afraid this would take too much time that I currently just can't spare. But that's certainly something for my to-do list when things ease up a bit.

bezen4uk said:
I have only a remark about Ri of VF14 and EF14 - it's actually 14kOhm. Ri line should be tangent to the curve at 0.55mA.

Ri changes considerably for the operating point area (at the knee of the output characteristic) shown in the article. The value Ri=11kOhm is just an approximation I got from the graphs, not the actual in-circuit measurement value. To get the precise Ri value, one should measure the specific tube in the actual circuit under actual conditions.

Regards,
Milan
 
moamps said:
Hi,

First off, thanks for the positive feedback everybody. I'm truly glad the effort is appreciated.

Melodeath00 said:
Milan, this is fantastic!! As you mention in the article, please do test the EF800 and EF802. I am incredibly curious how those stack up.

I'm afraid this would take too much time that I currently just can't spare. But that's certainly something for my to-do list when things ease up a bit.

Great!

Do these operating points really tell us anything about sound, or do they just help us pick a relatively linear operating point for a tube? Also, I noticed that the EF13 amplifies many more volts when the signal swings positive than when it swings negative. From what I understand, this significantly increases THD. The other tubes look much more even in that regard.

Also, can we really trust these tube graphs to be indicative of the tube in the actual circuit? Isn't the grid resistor in the mic a much higher value than is typical for these graphs, and that can throw things off, or have I misunderstood?

I am using an EF802 in my U47 right now. It's underheated to about 5.6V, and plate voltage is 50V. I wonder if I should adjust that plate voltage down with another resistor, or if that would also effect output impedance?
 
With EF12 tube you may just correct the mode a little bit. It is not necessary to use different x-former. Different anode resistor, different anode currenr, different operation point. And its very close to VF14 ( closer than EF14, inspite of diff. curves). Especially in highs and middle freq-s. I'm sure.
 
Dear o3misha,

you said that ef12 is the closest.
Do you have compared it with a real vf14M in a genuine U47 ?
Do you have some shootouts ?
regards
Fred
 
Not in one mic, but with the same capsule. Yes I tried Ef12 tube in comparisson with EF14 and VF14. My 2 orig u47s with  VF14s are different in sound, inspite of the same type of tubes ( all VF14s are different ). I made third microphone with Haufe BV08 x-former (which is the best copy of BV08 transformer today IMHO) and I tried EF 14 ( about 10 different tubes) and only 2 EF12K. IMHO EF12k is closer to VF14. It is still not the same with VF14 in lows, but it has very close behaviour in high and middle freq-s. But you have to correct anode resistor and anode feeding for EF12. It also operates better with higher anode current -1mA than  VF14 (0.5mA). EF14 has much more highs and the sound is not soft even with very low filament voltage 4.5VDC-5VDC. The bass respones of EF14 is closer to VF14, but it has less dynamic in middle freqs.  But some people like it. I prefer more soft sound with good dynamic in middle freqs. Flea, Andreas Grosser, Wagner prefer Ef12 as the best tube for U47 today. And I agree. I would upload files with EF12 tube, but unfortunately I already moded this mic with original VF14 tube.
 
al·che·my
ˈalkəmē/
noun

1. the medieval forerunner of chemistry, based on the supposed transformation of matter. It was concerned particularly with attempts to convert base metals (other tubes) into gold (VF14M).
 
scott_humphrey said:
al·che·my
ˈalkəmē/
noun

1. the medieval forerunner of chemistry, based on the supposed transformation of matter. It was concerned particularly with attempts to convert base metals (other tubes) into gold (VF14M).
1.There are no 100% identical lamps,
2.there are obvious sonic properties that may be close in vastly different design lamps. I recommend to talk with the basics of tube circuitry those who are going to build microphones instead of copying scheme U47 calculated completely on another lamp. Or communicate with those who really understands this: Andreas Grosser, Gunter Wagner.
3.The V/A curves say nothing about K2, K3, K4 distortions, about real sound of the tubes.
IMHO
 
IMHO EF12k is closer to VF14. It is still not the same with VF14 in lows, but it has very close behaviour in high and middle freq-s.

That jives with what I heard in a U47 comparison (EF12 vs. VF14). From samples mind, not in the flesh. The mids and highs were very similar indeed, but the EF12 lacked some heft in the lows. Not something linear or easy to correct with EQ, though. It was most prominent in the onset of notes. Well, to my ears anyway.

But yes, if there's magic, it's usually in the mids.
 
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