Thanks for the warm welcome!
Two people from synth-diy have pointed me to this forum, and what I've been reading so far is quite impressive!
My own experience is mostly in synthesizer circuits, and I think I have a lot to learn about pro audio processing gear, transformers etc.
When I built that 1176 clone a few years ago, that was just a happy accident (ok, I did some optimisation on the distortion levels of the
output transformer, but the transformer itself was just what I could easily get, an O.E.P. 1+1:1+1 150R). Now somewhere on this forum I read about either getting a clean sound with expensive transformers (paraphrasing) or "iron sound" with O.E.P.s.
So what I got on my 1176 clone is certainly the "iron sound" and I like it.
As I have this in my Stereo mix all the time, I want a few more compressors, mono, for individual tracks and instruments. A mono version of my 1176 clone must be made soon, but right now I want to use these electroluminiscent things to make an opto compressor. (Also to see if they differer from various Vactrol-based opto circuits.) I even got a black enclosure with relay socket from
www.rs-components.de .
No idea about the right LDRs, though, to get a LA3A-like response. I know this from Vactrols, that the LDR response can make a huge difference, so it would be good to know more about the LDRs in the LA3A, too.
Also, is this right that there is one of 4 LDRs wired across the electroluminiscent foil in the LA3A (*not* in the LA2A) ? Some
auto-compression / protection measure in the CV path, maybe ??
JH.