SSLtech
Well-known member
Having completed a couple of compressors for a few folks round here lately, I've noticed that the effective ratios vary depending on what VCAs have been used for the sidechain and the main signal VCAs.
My suspicions were first roused when one that I measured (built as per Jakob's diagram, with 2181s in all three locations) actually produced 'past-infinity' results when set to 10:1 ratio... Obviously the two audio VCAs are turning the signal down more than the sidechain VCA...
I set a second one on the bench this evening which used 2001 VCAs in the audio path (Class 'A') and a 2151 or 2150 -I forget which- in the sidechain position. I noted that it went nowhere near 10:1 on the maximum ratio.
I tried a couple of different resistances in parallel with the (1k) control port series resistance, and I found one that produced a 1dB rise in output for every 10dB rise in input above the threshold, when the 10:1 ratio was selected. If I remember correctly, it took a 5.6K resistance in parallel with the 1k on each channel.
The 4:1 setting also matched reasonably well once above the (softer in that ratio setting) knee area, and also the 2:1 setting seemed to track fairly well... I think it was about 1.9:1, but close enough! -It should be noted that at this setting, the knee is very soft indeed! Only the 10:1 ratio has a sharp corner, both the others have an "over-easy" (dbx tm) soft knee behaviour, with the 2:1 setting being very soft indeed.
The chap with the 2181s is on vacation at the moment, but I think I'll get his back on the bench when he gets back if he wants the ratios calibrated... I think that the results will be useful to everyone. -If you want to vary the ratio but keep the knee very sharp (for whatever reason) you can simply increase or reduce the control port resistances on the two signal path VCAs... but bear in mind that you can go past infinity if you reduce it too much... a wierd effect, and one that most feed-back compression systems cannot achieve...
Keith
My suspicions were first roused when one that I measured (built as per Jakob's diagram, with 2181s in all three locations) actually produced 'past-infinity' results when set to 10:1 ratio... Obviously the two audio VCAs are turning the signal down more than the sidechain VCA...
I set a second one on the bench this evening which used 2001 VCAs in the audio path (Class 'A') and a 2151 or 2150 -I forget which- in the sidechain position. I noted that it went nowhere near 10:1 on the maximum ratio.
I tried a couple of different resistances in parallel with the (1k) control port series resistance, and I found one that produced a 1dB rise in output for every 10dB rise in input above the threshold, when the 10:1 ratio was selected. If I remember correctly, it took a 5.6K resistance in parallel with the 1k on each channel.
The 4:1 setting also matched reasonably well once above the (softer in that ratio setting) knee area, and also the 2:1 setting seemed to track fairly well... I think it was about 1.9:1, but close enough! -It should be noted that at this setting, the knee is very soft indeed! Only the 10:1 ratio has a sharp corner, both the others have an "over-easy" (dbx tm) soft knee behaviour, with the 2:1 setting being very soft indeed.
The chap with the 2181s is on vacation at the moment, but I think I'll get his back on the bench when he gets back if he wants the ratios calibrated... I think that the results will be useful to everyone. -If you want to vary the ratio but keep the knee very sharp (for whatever reason) you can simply increase or reduce the control port resistances on the two signal path VCAs... but bear in mind that you can go past infinity if you reduce it too much... a wierd effect, and one that most feed-back compression systems cannot achieve...
Keith