hey guys,
Sorry you're having problems with the Cascode opamp. I figured there were only 5 transistors on there, so I started replacing them one at a time until it worked. I'm not electronically literate, but going over the schematic with a friend indicated the BD's were likely suspects. I hope you're able to get it sorted out.
Long-term report. . . we have been using one of the F76 units in the studio for a few months now configured as built in this thread. input/output pots, Cascode input amp, IC receiver, original output amp, Lundahl output transformer, and it's been working really well on vocals and guitars at the studio. It is a bit thin and overdrives a bit too early and gritty for heavy things like bass.
I brought a 2nd unit into the studio recently configured with an APP2520E which loves to run at +-24V as output amplifier trying to decide which configuration we like better for a matched pair. This setup ended up being smoother with a lot more bottom and a silkier top end. Great for bass, snare, kick, but on vocals, we liked the way the original output amp breaks up and gives a hint of bite to female vocals. Ended up leaving them in different configurations. Maybe i will have to build another one if i want to run a stereo pair.
But, I know Igor prefers his Albatross amp in this device. Alternately, for a more pristine sound with lots of headroom, the APP2520E available in the white market might be something to consider. Note: Do to the height of the potted opamp, I had to cut a little bit of the F76 upper PCB with a file to fit, but no problems. That part does not have any components even close.
We use the 2:1 ratio all the time making F76 do things the original would not be able to do. VERY nice feature.