This project started at the end of Jan '10. I'd been wanting to build an all tube mixer for some time and I wanted it to meet two major criteria:
(1) The individual preamps should be fully functional as separate units for studio use - apart from the mixer and that the mixer could accept any line level source of a specified impedance
(2) The mixer should have 1 auxiliary send/ret for reverb or compression and 2 outputs for main and mon for PA use
So, here's what I came up with for the mixer and output amp:
http://i409.photobucket.com/albums/pp179/lassoharp/Tube%20Mixer/mixeramp_front.jpg
http://i409.photobucket.com/albums/pp179/lassoharp/Tube%20Mixer/mixeramp_rear.jpg
http://i409.photobucket.com/albums/pp179/lassoharp/Tube%20Mixer/TubeMixer2007.jpg
http://i409.photobucket.com/albums/pp179/lassoharp/Tube%20Mixer/TM_BackPanel.jpg
The mixer uses 2 coils to mix/sum the 4 line level inputs from the preamps- split resistively into 2 pairs of 4 (one main, one aux) into 2 single outputs. Each output from the coils are fed to the grids of a twin triode (6SN7) which mixes via a common plate load. The 6SN7 also comprises part of the output amp - the other half being a 6C5. The mono output is then split using a repeat coil and attenuators to give a main and monitor feed.
So what you have are coils handling the passive mixing of the main and aux lines each going 4 to 1. The 6SN7 then mixes those 2 to a single mono output.
The most tedious part of this build was making proper test jigs for each part of the mixer to insure everything would work as planned. Polarity switches on the line ins are a must.
The twin triode mixing circuit can be found in the RDH4 as well as the basic outline and relevant calculations of coil mixing. I was attracted to the twin triode method because of it's economy compared to other methods, and of course the sound - after testing it out with an echo unit it was pretty much a done deal. From readings it looked to be potentially problematic but I've had no problems with it - works like a charm.
If anyone's interested in the actual schematics and diagrams I can post them. It will take several days to get them scanned.
The preamps are really nothing new - 4 broadcast console preamps from Gates, ABC/AWA, and Western Electric built essentially verbatim with a few minor mods for lower current draw/output level.
Here's some pics:
http://i409.photobucket.com/albums/pp179/lassoharp/Tube%20Mixer/TubeMixer2001.jpg
http://i409.photobucket.com/albums/pp179/lassoharp/Tube%20Mixer/TM_preamps3.jpg
http://i409.photobucket.com/albums/pp179/lassoharp/Tube%20Mixer/TM_Rack_Front_copy.jpg
http://i409.photobucket.com/albums/pp179/lassoharp/Tube%20Mixer/preamps_inside1.jpg
It works and sounds great. I would not recommend building 4 preamps on a single chassis though. Interaction can be an issue. One of the nice things about the mixer section is that any 600ohm source can be used - it isn't tied to the set of preamps I built for it.
Special thanks to Doug(emrr) for some good troubleshooting tips on the power supply and his overall knowledge of vintage tube circuits - ditto for PRR. Also my thanks go out to every contributor on the forum for their generosity, knowledge and inspiration (inspiration, as Einstein's quote goes often dwarfs knowledge). This build was probably 80% inspiration - 20% knowledge. ;D
enjoy
(1) The individual preamps should be fully functional as separate units for studio use - apart from the mixer and that the mixer could accept any line level source of a specified impedance
(2) The mixer should have 1 auxiliary send/ret for reverb or compression and 2 outputs for main and mon for PA use
So, here's what I came up with for the mixer and output amp:
http://i409.photobucket.com/albums/pp179/lassoharp/Tube%20Mixer/mixeramp_front.jpg
http://i409.photobucket.com/albums/pp179/lassoharp/Tube%20Mixer/mixeramp_rear.jpg
http://i409.photobucket.com/albums/pp179/lassoharp/Tube%20Mixer/TubeMixer2007.jpg
http://i409.photobucket.com/albums/pp179/lassoharp/Tube%20Mixer/TM_BackPanel.jpg
The mixer uses 2 coils to mix/sum the 4 line level inputs from the preamps- split resistively into 2 pairs of 4 (one main, one aux) into 2 single outputs. Each output from the coils are fed to the grids of a twin triode (6SN7) which mixes via a common plate load. The 6SN7 also comprises part of the output amp - the other half being a 6C5. The mono output is then split using a repeat coil and attenuators to give a main and monitor feed.
So what you have are coils handling the passive mixing of the main and aux lines each going 4 to 1. The 6SN7 then mixes those 2 to a single mono output.
The most tedious part of this build was making proper test jigs for each part of the mixer to insure everything would work as planned. Polarity switches on the line ins are a must.
The twin triode mixing circuit can be found in the RDH4 as well as the basic outline and relevant calculations of coil mixing. I was attracted to the twin triode method because of it's economy compared to other methods, and of course the sound - after testing it out with an echo unit it was pretty much a done deal. From readings it looked to be potentially problematic but I've had no problems with it - works like a charm.
If anyone's interested in the actual schematics and diagrams I can post them. It will take several days to get them scanned.
The preamps are really nothing new - 4 broadcast console preamps from Gates, ABC/AWA, and Western Electric built essentially verbatim with a few minor mods for lower current draw/output level.
Here's some pics:
http://i409.photobucket.com/albums/pp179/lassoharp/Tube%20Mixer/TubeMixer2001.jpg
http://i409.photobucket.com/albums/pp179/lassoharp/Tube%20Mixer/TM_preamps3.jpg
http://i409.photobucket.com/albums/pp179/lassoharp/Tube%20Mixer/TM_Rack_Front_copy.jpg
http://i409.photobucket.com/albums/pp179/lassoharp/Tube%20Mixer/preamps_inside1.jpg
It works and sounds great. I would not recommend building 4 preamps on a single chassis though. Interaction can be an issue. One of the nice things about the mixer section is that any 600ohm source can be used - it isn't tied to the set of preamps I built for it.
Special thanks to Doug(emrr) for some good troubleshooting tips on the power supply and his overall knowledge of vintage tube circuits - ditto for PRR. Also my thanks go out to every contributor on the forum for their generosity, knowledge and inspiration (inspiration, as Einstein's quote goes often dwarfs knowledge). This build was probably 80% inspiration - 20% knowledge. ;D
enjoy