I will say that there was a HUGE difference in using a carbon pot to the conductive plastic pot. I bought a cheap $.70 10K carbon (which Martin states NOT to use lol) but i figured for $.70 what the heck. It felt like garbage, you could hear the tabs inside scraping against the disc and it made the unit sound like it was (and im using the totally wrong word here) scratchy, gritty, lo-fi almost. As soon as i put the good pot in it was ultra clean. I usually leave the pot maxed unless one of the steps is just a little too much (it also helped in calibrating the meters) I brought the input gain up quite a bit and gradually rolled the trim up until i got unity on my signal generator, my 1073 and the apogee.
It is nice to be able to drive the hell out of the input tx and roll the trim down to get a little grit, which is why I decided to ADD the trim pot.
Even with my ribbon mic, i can barely get this thing over the 50 mark on the gain stage without clipping the DAW. With an SM57 I got up to about 55/60 on an "acceptable" level sound source. Condenser mics.... rarely going above the 25 mark.
From all the research I did before ordering parts (i was looking at different tx's) the carnhills always came out on top. Well worth the investment.