There’s a lot of prior art on this, so I’m integrating a few established modifications with some thoughts of my own.
I’m working up a mod for a stock early-70s Silverface Pro Reverb that will get recapped and converted to AA165 (same as AB763 generally in other models) and tested like that first. Then, the drawing below is what I’m thinking for the preamp section. Tone stack curves below that for the fka Normal channel, now dedicated to ‘verb.
The big draw is a highly flexible reverb return, tailored for most common recording scenarios. The mix stage is lower noise than stock, the new Dwell control is as low noise as I could make it, and there’s a wet-only line input.
Am I overlooking anything? Anybody done similar? This is Fender Blackface model agnostic…can easily be adapted for everything from Deluxe to Twin.


That treble cap in the fka Normal tone stack might want to be 390p btw. The bass cap could shift a little too; I stopped subbing in values as soon as I had a perfect HPF shape with both controls at 12 o’clock. There are other tone stack designs, but I’m trying to avoid messing much with the circuit board layout.
I’m working up a mod for a stock early-70s Silverface Pro Reverb that will get recapped and converted to AA165 (same as AB763 generally in other models) and tested like that first. Then, the drawing below is what I’m thinking for the preamp section. Tone stack curves below that for the fka Normal channel, now dedicated to ‘verb.
The big draw is a highly flexible reverb return, tailored for most common recording scenarios. The mix stage is lower noise than stock, the new Dwell control is as low noise as I could make it, and there’s a wet-only line input.
Am I overlooking anything? Anybody done similar? This is Fender Blackface model agnostic…can easily be adapted for everything from Deluxe to Twin.


That treble cap in the fka Normal tone stack might want to be 390p btw. The bass cap could shift a little too; I stopped subbing in values as soon as I had a perfect HPF shape with both controls at 12 o’clock. There are other tone stack designs, but I’m trying to avoid messing much with the circuit board layout.
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