tao
Member
- Joined
- May 8, 2023
- Messages
- 6
I want to replace the ac701 tube for my 251, but these two make it difficult for me to choose.I don’t know what the difference is between these two versions.
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I don’t have professional equipment testing.Best test method is to measure the noise before installing the tube
I read a lot of information on the Internet, and there is too little information about 701. These two models should be versions with K, but I cannot be sure about this blue dot 701.The k indicates a build designed for lower microphonics.
The one without the k may be the same low microphonic build type as the k, if it was made in the later part if AC701 manufacture.
I would do the same, there were/are numerous applications where this excellent tube can do a top job, even if it is not good enough for a microphone. The application as an impedance converter in a microphone is very special.Also I know a (first hand) story of an other German microphone manufacturer who had aquired a large number of AC701 tubes.
"What are you going to do with the tubes that are not good?"
"Sell them!"
The question is rather whether one communicates this also to the potential buyer...
I think you should specify that as a seller. The problem is that these 2nd choice tubes are resold several times over the years and suddenly they are 1st choice again ;-)"Let the buyer beware..."
Isn't that exactly what Neumann did in the M49-V?(...or replace with similar types and save a lot of money)
No Way they tested every ac701 from the factory ,maybe simple emission test yes,but for noise/microphonics and burning in it would took too much time(testing now 8pcs ac701 so I knowKeep in mind that the whole production of AC701 tubes from the Telefunken tube factory in Ulm went straight to Neumann, where they tested the tubes for noise and microphony. The rejects went back to Telefunken and were sold. So even if you can find an AC701 today ('New Old Stock'), there is a chance that it is a reject from Neumann...
Just sayin'...
Also I know a (first hand) story of an other German microphone manufacturer who had aquired a large number of AC701 tubes.
"What are you going to do with the tubes that are not good?"
"Sell them!"
I was told by Klause Heyne that the production of AC701s went on longer than the period in which they all went to Neumann. I acquired an AC701 (non "K" model) from him and it tests very well. My suggestion is that you deal with tube suppliers that will let you return the tube if it does not meet your expectations.No Way they tested every ac701 from the factory ,maybe simple emission test yes,but for noise/microphonics and burning in it would took too much time(testing now 8pcs ac701 so I know
We source the tubes and I test everything,so no issues usually,these are just arrived:I was told by Klause Heyne that the production of AC701s went on longer than the period in which they all went to Neumann. I acquired an AC701 (non "K" model) from him and it tests very well. My suggestion is that you deal with tube suppliers that will let you return the tube if it does not meet your expectations.
Keep in mind that the whole production of AC701 tubes from the Telefunken tube factory in Ulm went straight to Neumann, where they tested the tubes for noise and microphony. The rejects went back to Telefunken and were sold. So even if you can find an AC701 today ('New Old Stock'), there is a chance that it is a reject from Neumann...
Just sayin'...
Also I know a (first hand) story of an other German microphone manufacturer who had aquired a large number of AC701 tubes.
"What are you going to do with the tubes that are not good?"
"Sell them!"
Imho, the most probable reason is the capsules...Il y a quelque chose à propos du 6s6b-v dans le M49-V de Neumann qui semble un peu agaçant. Il ne donne pas tout à fait le même résultat sonore que les originaux. C'est peut-être un autre aspect que le choix du tube, pour être honnête. Bien que je ressens un peu la même chose à propos des micros FLEA qui utilisent le tube.
So is it confirmed in the end it's 6s6b-v?There’s something about the 6s6b-v in Neumann’s M49-V that sounds a very little bit aggravating. It doesn’t quite yield the same smooth sounding result as the originals. Maybe it’s some other aspect apart from the tube choice, to be fair. Though I feel a bit similarly about the FLEA mics that use the tube.
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