So yesterday was the day. It takes me a bit, especially when there's all of this [gestures vaguely and erratically all around with both hands] BS going on, to get to things sometimes; I have to get mad about it almost.
Put the MF on the bench, IEC cord into the lightbulb current limiter, phone plugged into the inputs as a signal source, and fired her up.... what, she works fine (gains of the 2 channels don't track very well but sounds great). Huh.
View attachment 132400
Notice the Output Selector switches though. Apparently, these sliders have gotten dirty (open frame on the rear) and paradoxically at the same time, loose, so that the upper position (the position I need) is succumbing to gravity and just disconnects, randomly either channel while looking like it is still set to the correct option.
So that's good, but too easy; I know this beast and it plays games, only working when it wants to. I know it's playing nice because it got powered up for the first time in years and is worried it would be tossed in the bin if it didn't pull it's socks up. In any case the channel gains don't match with the gain knobs in identical positions so I have more to do here anyways.
I knew where I had to start: ripping out all the unnecessary tape playback electronics to make space and be able to see what's up in there. This was never gonna go back into service as a recorder (besides the PR-10 tape transports sucked balls apparently - were also built to be "portable").
So here's comparison of my PR-10 to a 354:
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I had already removed the rec and playback EQ modules when the above pic was taken, or they would be blocking the entire view and prevent me from getting a finger or tool in there, vs the 354 where you could actually change out the tubes without removing those EQ modules. Note also that relay/solenoid on the side with the XLR jacks on my PR-10 vs the octal plug in input accessory sockets on a bracket (with black dummy plugs fitted) on the 354 - all other PR-10-2s I've seen have those sockets.
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