dmp
Well-known member
great, thanks.
I was thinking the LS10 may be great for a higher gain pre as well, since the hum I was seeing in the BA2 was appearing in the input tx. Other than that hum the noise floor was really low.
So a LS10 - no nfb - LS50 design... the SA-70 design looks compatible with the LS50 on the output. It would be nice to use a cheap common tube like a 12ax7 or 6sn7.
Ideally I would like to go up to 75 dB of gain to use this with low output mics on quiet acoustic instruments. I generally like to record straight in (without a compressor for adding gain). Not having enough gain is just inconvenient.
I was thinking the LS10 may be great for a higher gain pre as well, since the hum I was seeing in the BA2 was appearing in the input tx. Other than that hum the noise floor was really low.
So a LS10 - no nfb - LS50 design... the SA-70 design looks compatible with the LS50 on the output. It would be nice to use a cheap common tube like a 12ax7 or 6sn7.
Ideally I would like to go up to 75 dB of gain to use this with low output mics on quiet acoustic instruments. I generally like to record straight in (without a compressor for adding gain). Not having enough gain is just inconvenient.