Blue Jinn
Well-known member
Learning to read a schematic is basic, and kits are a great place to start, PAIA and GuitarGadgets are good sources, or BYOClone. I don't really know *why* a lot of what goes on goes on, and I've yet to really grasp a plate curve, plate dissipation etc. I'll get there. OK, I'll say it I have a LIBERAL ARTS DEGREE!
So I'm not going to design anything anytime soon. That said, I can read a schematic, and have a general idea about what happens at a particular place in it. AC signal goes in here, comes out here a little bigger, dc goes here, but don't want dc here so have a capacitor to block it. I don't really understand *why* I don't want dc here or ac there, but I can read the sheet music. I suppose I don't know *why* a C7th resolves into a Fmaj it just does. Also, they didn't have PCB's in 1940. I know I can't fit a G7 into an Apex 460 body. (I've tried, it doesn't fit....) If I want to (and I'm not so sure I want to) there is no reason I can't wire the thing "point to point" one step at a time, this wire to pin 1 this resister to pin 2 etc etc. But again, you gotta be able to read the music to know the F# from the C. And then when it doesn't work being able to go, "Oh there I have C1 in the wrong place" (I did that with a Royer mod recently, had a capacitor inthe wrong place, thanks to reading schematics and a recent trhead here -- no AC ground path for the capsule DUH! )
I'm confindent I can build e.g.. the NYDave one bottle. Are you going to try and a bake a cake without knowing the difference between flour and sugar and 1 gram and 1 cup?
Another really really good place to start is Craig Anderton's Electronic Projects for Musicians. A lot of the kits are sadly not available anymore but the book starts out explaining schematic symbology with drawings of each thing too and each project has a good explanation of what happens in the circuit. Also, the old Popular Electronics, Radio-Electronics, and a few other magazines, were great sources. The project construction details generally explained a great deal of teh design theory. PAIA's Tube Head is a good example of that. You can find those at used book stores often.
So I'm not going to design anything anytime soon. That said, I can read a schematic, and have a general idea about what happens at a particular place in it. AC signal goes in here, comes out here a little bigger, dc goes here, but don't want dc here so have a capacitor to block it. I don't really understand *why* I don't want dc here or ac there, but I can read the sheet music. I suppose I don't know *why* a C7th resolves into a Fmaj it just does. Also, they didn't have PCB's in 1940. I know I can't fit a G7 into an Apex 460 body. (I've tried, it doesn't fit....) If I want to (and I'm not so sure I want to) there is no reason I can't wire the thing "point to point" one step at a time, this wire to pin 1 this resister to pin 2 etc etc. But again, you gotta be able to read the music to know the F# from the C. And then when it doesn't work being able to go, "Oh there I have C1 in the wrong place" (I did that with a Royer mod recently, had a capacitor inthe wrong place, thanks to reading schematics and a recent trhead here -- no AC ground path for the capsule DUH! )
I'm confindent I can build e.g.. the NYDave one bottle. Are you going to try and a bake a cake without knowing the difference between flour and sugar and 1 gram and 1 cup?
Another really really good place to start is Craig Anderton's Electronic Projects for Musicians. A lot of the kits are sadly not available anymore but the book starts out explaining schematic symbology with drawings of each thing too and each project has a good explanation of what happens in the circuit. Also, the old Popular Electronics, Radio-Electronics, and a few other magazines, were great sources. The project construction details generally explained a great deal of teh design theory. PAIA's Tube Head is a good example of that. You can find those at used book stores often.