Maybe it's a mistake and the polarization voltage comes from directly from B+? Could it work that way?
Is this the microphone?
Those. will it "look" like a cathode follower?Assuming the pentode has high gain, the AC signal at the anode will be nearly equal to the capsule output signal, as the tube will be trying to keep the grid voltage constant. If I'm understanding correctly it's also relying on negative feedback to keep the output impedance at the anode low, presumably to drive a relatively low ratio transformer.
It has one fewer wire needed than a normal cathode follower, is that the big deal?
Yes, that works. The SELA T12, for example, takes B+ directly as the polarization voltage. As it is only 60V, no voltage divider is required.Maybe it's a mistake and the polarization voltage comes from directly from B+? Could it work that way?
6Ж1П is a pentode (here in quasi triode mode) and is very similar or equal to the 6AK5/5654/EF95 you will find in the SELA T12. Nice tube.Well, yes, only 19a9 uses a triode, but there are also similar circuits with a pentode (in triode mode).
I have a 6Ж4П (6AU6) tube, of course I’ll try these two options for capsule polarization later, but first I wanted to ask a question, maybe someone has already done this.6Ж1П is a pentode (here in quasi triode mode) and is very similar or equal to the 6AK5/5654/EF95 you will find in the SELA T12. Nice tube.
Edit: This type of tube also works very well with low voltages.
A simple improvement would be to take the capsule voltage from above the plate resistor, use a voltage divider to get the 60V you're after, then add a small capacitor to help smooth any remaining "noise" from the polarizing voltage.Hello everyone.
I saw this polarization scheme for the capsule.
What are the disadvantages or advantages of such a scheme?
Will there be 60 volts (at the anode) and at the capsule when switched on this way?
If this is what you meant, then this is the standard scheme that is used in most cases.A simple improvement would be to take the capsule voltage from above the plate resistor, use a voltage divider to get the 60V you're after, then add a small capacitor to help smooth any remaining "noise" from the polarizing voltage.
I meant the engineers who developed the Lomo 19-a9 microphone.Hi, sorry I missed that.
Ah, the "WHY" of engineers...!
No, the output signal is taken in the wrong spot: a cathode follower takes the output signal... well... from the cathode! The Lomo 19-a9 is NOT a cathode follower topology, capsule polarization is provided by the same voltage of the plate (fed by the plate load resistor), which floats with the capsule variable voltage; meanwhile, the grid and the capsule backplate tries to stay voltage constant via the bleeding resistor (that is the only very high-value resistor, no "1 Gig" resistors here: a cost-effective measure for sure!). The signal is then tapped from the plate and sent to the balanced output transformer, as in standard plate-loaded mics. It is a very unusual and creative design, using fewer components and a lot of feedback for linearization... very soviet stuff!Those. will it "look" like a cathode follower?
Well, of course, I compared this circuit with a “cathode follower” conditionally.No, the output signal is taken in the wrong spot: a cathode follower takes the output signal... well... from the cathode! The Lomo 19-a9 is NOT a cathode follower topology, capsule polarization is provided by the same voltage of the plate (fed by the plate load resistor), which floats with the capsule variable voltage; meanwhile, the grid and the capsule backplate tries to stay voltage constant via the bleeding resistor (that is the only very high-value resistor, no "1 Gig" resistors here: a cost-effective measure for sure!). The signal is then tapped from the plate and sent to the balanced output transformer, as in standard plate-loaded mics. It is a very unusual and creative design, using fewer components and a lot of feedback for linearization... very soviet stuff!
Those. its sound will be more sterile, and closer to the cathode follower?Well, keep in mind this was the microphone Steve Albini used on the "In Utero" Cobain vocal tracks... a friend of mine, who used the Lomo a lot, descscribe the sound as "a Sony C37 with an M7 in it"... so your reasoning seems right!
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