Barry Hufker
Well-known member
Waiting eagerly (patiently, not so much )...
Edit: The goal of this “experiment” wasn’t to crown a winner or to say definitively which mic is the “best” but it was interesting to see how the KM-184 bubbled to the top.Did you tally up the votes?
(I didn't vote because they all sounded fine to my tin ears, but I'm curious how others ranked them.)
That's pretty much exactly what I hear and think. I haven't read the answer yet. I think D is the much “bashed” KM184, which I know and appreciate very well.Thank you joulupukki! The main takeaway for me is how similar these sound. On some sources I can't tell any difference, others I'm feeling certain I've identified some difference in frequency response but then second guess myself on listening again. Wild guess: I think D is the 184 and B is the micparts. I'd be happy with any of these mics but if I had to pick D feels the best to me, then C or A, then B.
Ohh, I've come across that quite often online in the last few years.(check gearslutz) The KM184 would be too sharp in the treble and only the KM84 would be the real deal and so on. I never understood that, I think they are very good and universal workhorses in the recording studio and also live on stage. I've worked with them myself for long years and I think you get a lot of microphone for the money. Very flexible.who has bashed the km184 ?
I honestly hope the KM184 naysaying keeps up because it makes them a good buy on the used market.
I have my drumset right now with two KM184 overhead and a 421-II on the bass drum, which as the internet knows, is absolutely awful.
Well, the KM 84 is dead flat; doesn't have an "eq-curve".Myself I dont like the km184 that much compared to the km84, but its really more of getting a more likeable eq-curve from the start with the km84, nothing you cant eq to get the same in mix... if anyone would want imo
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